Summary

Portrait of Mrs. Oliphant Mrs. Oliphant Royal Edinburgh: Her Saints, Kings…

Scotland had begun to glow in the sunshine of poetry, in glimpses of Burns's westland hills and fields, of Scott's moss-troopers and romantic landscapes, visions of battle and old tradition: but the wider horizon of a life more familiar, of a broad country full of nature, full of character, running over with fun and pawky humour, thrilling with high enthusiasm and devotion, where men were still ready to risk everything in life for a falling cause, and other men not unwilling to pick up the spoils, was a discovery and surprise more delightful than anything that had happened to the generation.
Source: Gutenberg

Portrait of Mrs. Oliphant Mrs. Oliphant Royal Edinburgh: Her Saints, Kings…

We can still see the trapped and ruined Queen—exasperated still further by the consciousness that many of the men now holding her in bonds were at least as guilty as she, guilty of Darnley's blood, guilty if not of favouring yet of fearing Bothwell and yielding their countenance to his plans—pacing that chamber, appearing at that window, her loveliness, her adornments, and all the wiles of triumphant beauty forgotten, throwing forth to the earth that was as brass and the skies that were as iron, like a wild animal in its torment, her hoarse inarticulate cry.
Source: Gutenberg

Portrait of Mrs. Oliphant Mrs. Oliphant Royal Edinburgh: Her Saints, Kings…

A perfectly dauntless nature fearing nothing, the self-confidence of an inspired prophet, the high tyrannical impulse of a swift and fiery genius impatient of lesser spirits, were all in him, making of him the imperative, absolute, arrogant autocrat he was; but yet no higher ambition, no more noble purpose, ever inspired a man. He desired for his countrymen that they should be a chosen people like those of old whom God had selected to receive His revelation; his ambition was to make Scotland the most pure, the most godlike, of all countries of the earth.
Source: Gutenberg

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