“ You are right, and I am wrong. I must live before I am a woman and I must be a woman before I can be an artist. I have cared for you for a long time, but I have been continually fighting against it—I see it all now. I will be content to be a happy woman and let the work take care of itself. Faulty, erring and selfish, I see myself, now, but will you take me just as I am?"The last smouldering spark of fire had died out and left the room in darkness. Helen's face showing whitely in the shadow was half pleading, and wholly sweet.Speechless with happiness, he could not move. ”
Myrtle Reed
Summary
The White Shield (1914), a novel by Myrtle Reed, weaves themes of art, love, and personal transformation through the lives of its central characters: Katherine, Tony, Elmiry, Jack, Atherton, and Madonna. Set against motifs of music, the violin, and the struggle to balance artistic aspirations with emotional sensitivity, the narrative explores the tension between self-fulfillment and societal expectations.
Reed’s prose, rich with symbolic imagery and reflective conversation, underscores the interplay between creativity and human connection, as seen in moments of deep musical expression and romantic longing. The novel’s focus on sacrifice and selfhood culminates in a meditation on the costs and rewards of pursuing one’s passions.
Quotes from The White Shield (Myrtle Reed)
“ The grey head turned towards the player—a strange new light in his eyes. But seeing only the vision of his childhood the young man played on and on, and somehow into the symphony crept all the love and sadness of a life time. As he played he threw his whole soul into the music. Oh, the indescribable sweetness of the master's violin! At last his vision faded, and he saw the massive head drop on the same old sill—he heard once more the sobs that come with tears.The music ended with a broken chord, and he looked up—to find his friend gazing at him with ineffable happiness. ”
“ At once, the music came, and to the great heart of the organ which swelled with pity and tenderness, he told his story. Wild and stormy with resentment at first, anger, love, passion, and pain blended together in the outburst which shook the very walls of the church."God gives us hearts—and breaks them," he thought and his face grew white with bitterness.Beside himself with passion, he played on, and on, till the sun sank behind the trees and the afternoon shaded into twilight.As the shadows filled the church, he accidentally struck a minor chord, plaintive, sweet, almost sad. ”
