Summary

N. Sokolov The Last Days of the Romanovs

The walls of Ipatiev’s house epitomised the Revolution. One name and one effigy predominated: the name of Grishka, the silhouette of Razputin, loathsomely caricatured. One met, here and there, allusions to the “tsar-bloodsucker” and other catchphrases of the Revolution, but one felt that they were perfunctory. The one and only unpardonable crime in the eyes of the Red guards had been the preference shown by the Empress for a peasant—a common man like one of themselves. What a commentary on the blindness of the unfortunate Alexandra!
Source: Gutenberg

N. Sokolov The Last Days of the Romanovs

The ignorant soldiers who imbibed their daily dose of revolutionary lore from the Soviets were not better or worse than their chiefs. By dogging the ex-Tsar’s footsteps when he went out for exercise, by shooting the boy’s pet goats, and taking away his toy rifle, and by other acts of the same kind the soldiers were merely copying their officers. These demonstratively donned red badges and ignored the Tsar’s salute.
Senseless clamour had led to daily espionage of the family. Officers of the guard went into the dining-room at lunch time to see if the prisoners were all in the Palace.
Source: Gutenberg

N. Sokolov The Last Days of the Romanovs

The guards sang revolutionary songs devised to hurt and shock the feelings of the prisoners, containing foul words such as no man should dare to utter in the presence of innocent girls, but the revolutionary warriors delighted in wounding the modesty of the grand duchesses in this and in other still more repulsive ways, by filthy scribbling and drawings on the walls and by crowding round the lavatory—there was only one for the prisoners and the warders. They went reeling about the house, smoking cigarettes, unkempt, dishevelled, shameless, inspiring terror and loathing.
Source: Gutenberg

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