Summary

Portrait of Nicholas Rowe Nicholas Rowe Some Account of the Life of Mr…

No one was more clearly aware than he of the faults of the "divine Shakespeare" as they appeared in the new era of letters that Dryden himself helped to shape. And no man ever praised Shakespeare more generously. For Dryden Shakespeare was the greatest of original geniuses, who, "taught by none," laid the foundations of English drama; he was a poet of bold imagination, especially gifted in "magick" or the supernatural, the poet of nature, who could dispense with "art," the poet of the passions, of varied characters and moods, the poet of large and comprehensive soul.
Source: Gutenberg

Portrait of Nicholas Rowe Nicholas Rowe Some Account of the Life of Mr…

To him, as to most of his contemporaries, the contrast between Jonson and Shakespeare was important: the one showed what poets ought to do; the other what untutored genius can do. When Dryden praised Shakespeare, his tone became warmer than when he judicially appraised Jonson.
Like most of his contemporaries Dryden did not heed Jonson's caveat that, despite his lack of learning, Shakespeare did have art. He was too obsessed with the idea that Shakespeare, ignorant of the health-giving art of the ancients, was infected with the faults of his age, faults that even Jonson did not always escape.
Source: Gutenberg

Portrait of Nicholas Rowe Nicholas Rowe Some Account of the Life of Mr…

Until Dryden and Rymer, criticism of Shakespeare in the seventeenth century had been occasional rather than systematic. Dryden, by his own acknowledgement, derived his enthusiasm for Shakespeare from Davenant, and thus, in a way, spoke for a man who had known the poet. Shakespeare was constantly in his mind, and the critical problems that the plays raised in the literary milieu of the Restoration constantly fascinated him. Rymer's attack served to solidify opinion and to force Shakespeare's admirers to examine the grounds of their faith.
Source: Gutenberg

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