Summary

Oscar Wegelin Early American Plays, 1714-1830

But all of the dramatic productions which were written prior to 1830 did not relate to America, and a glance over the list will show many plays which take for their groundwork the French Revolution, the Napoleonic Wars, the Russian Empire and its people, while Love, that mysterious something which lays its finger upon all whether we will or no, is found, as in our fiction, in nearly all of them. What the dramatist, poet, and novelist would do without the help of the fickle goddess is an unsolvable problem.
Source: Gutenberg

Oscar Wegelin Early American Plays, 1714-1830

Thomas Phoenix, in New York City, he found means to become a supernumerary in the Park Theatre, and, having a taste for drawing, took much interest in scene painting. On the death of his father he was taken to England by his mother, and there was subjected to such privation that he gladly took a place in a company of country players. He was finally engaged at the Haymarket, London, where he first appeared, May 15, 1811, as Lopez in The Honeymoon, and for two seasons was an important member of the company.
Source: Gutenberg

Oscar Wegelin Early American Plays, 1714-1830

He came to New York in 1777 and commenced the study of painting, for which he had an early inclination. In 1784 he went to London, where for three years he worked under Benjamin West. On his return he became interested in the drama, and wrote his first play. He soon after became closely identified with the theatre, and appeared on the stage. In 1796 he became manager of the John Street Theatre, and, soon after, sole manager of the New Park Theatre. In 1805 he retired from the management a bankrupt, and devoted himself to his original profession of painting.
Source: Gutenberg

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