Philip Henry Gosse

Philip Henry Gosse

Summary

Portrait of Philip Henry Gosse Philip Henry Gosse The Aquarium — Chapter 7 (1854)

In the Aquarium the Sea-mouse crawls restlessly to and fro, and round the margin of the bottom; once or twice I have seen it essay to burrow under the fine gravel, but generally it lives exposed. It is uninteresting in its manners, though the brilliance of its changing colours will always attract admiration. Perhaps it is most beautiful by candle-light, when red and orange reflections predominate; by day, pearly greens and blues prevail This difference is owing to the position of the light, and the angle at which it is reflected.
Source: Wikisource

Portrait of Philip Henry Gosse Philip Henry Gosse The Aquarium — Chapter 7 (1854)

Sometimes, however, the aggressive spirit is more decided, more ferocious, more of the genuine Russian type. One in the Aquarium of the Zoological Gardens was seen to approach another, who tenanted a shell somewhat larger than his own, and, suddenly seizing his victim's front with his powerful claw, drag him like lightning from his house, into which the aggressor as swiftly inserted his own body, leaving the miserable sufferer struggling in the agonies of death.
Source: Wikisource

Portrait of Philip Henry Gosse Philip Henry Gosse The Aquarium — Chapter 7 (1854)

The process is continued until the hinder parts are covered, and the muzzle alone is visible, with the two claws. Thus it sits quite still, reminding one of a toad, the broad triangular pedipalps that fit so close, occasionally opening, like the folding doors of a tiny cabinet, and allowing the palpi to be thrust out to wipe the minute eyes. The face, when examined with a lens through the glass walls of the Aquarium, has a most funny expression, being singularly like that of an ancient man.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature