Summary

Portrait of Plutarch Plutarch Plutarch's Moralia — Isis and Osiris (1927 & seq.)

Since, then, the air, of which we make the greatest use and in which we exist, has not always the same consistency and composition, but in the night-time becomes dense and oppresses the body and brings the soul into depression and solicitude, as if it had become befogged and heavy, therefore, immediately upon arising, they burn resin on their altars, revivifying and purifying the air by its dissemination, and fanning into fresh life the languished spirit innate in the body, inasmuch as the odour of resin contains something forceful and stimulating.
Source: Wikisource

Portrait of Plutarch Plutarch Plutarch's Moralia — Isis and Osiris (1927 & seq.)

It is not that we should honour these, but that through these we should honour the Divine, since they are clearer mirrors of the Divine by their nature also, so that we should regard them as the instrument or device of the God who orders all things. And in general we must hold it true that nothing inanimate is superior to what is animate, and nothing without the power of perception is superior to that which has that power—no, not even if one should heap together all the gold and emeralds in the world.
Source: Wikisource

Portrait of Plutarch Plutarch Plutarch's Moralia — Isis and Osiris (1927 & seq.)

For creation is the image of being in matter, and the thing created is a picture of reality.
54 It is not, therefore, out of keeping that they have a legend that the soul of Osiris is everlasting and imperishable, but that his body Typhon oftentimes dismembers and causes to disappear, and that Isis wanders hither and yon in her search for it, and fits it together again; [1] for that which really is and is perceptible and good is superior to destruction and change.
Source: Wikisource

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