Summary

Portrait of Prentice Mulford Prentice Mulford Prentice Mulford's story: life by land and sea (1889)

It is the winter rain of California—a warm, steady, continuous drizzle. The red earth is soft and soppy. It mires to the ankles. The dark green of the chaparral on the hill sides seems to-day almost black. The hue of the river by my cabin door is yellower than ever. The water-mark is three feet higher than last night and it creeps upward every hour. Over the mountain crags yonder white sheets of foam are tumbling where none has been seen before for many months. This is an enforced day of rest. I have finished my breakfast and sit down for a few minutes in a keen enjoyment of idleness.
Source: Gutenberg

Portrait of Prentice Mulford Prentice Mulford Prentice Mulford's story: life by land and sea (1889)

It’s a fair standup combat between half a dozen men in an egg-shell of a boat on the open sea, and sometimes on heavy ocean billows, and 500 tons of flesh, bone, and muscles, which, if only animated by a few more grains of sense, could ram the whaleship herself as effectually as an ironclad. As a murderous spectacle the capture and killing of a whale, as seen even by a sea-cook from the galley window, is something ultra-exciting. It makes one’s hair stand upon both ends.
Source: Gutenberg

Portrait of Prentice Mulford Prentice Mulford Prentice Mulford's story: life by land and sea (1889)

On Sunday we may not be able to leave the city: to be forced to stay in New York over Sunday is a dreadful thought for solitary contemplation. We study and turn it over in our minds for hours as we pace the deck. We live over and over again the land-journey to our hearthstones at Boston, Syracuse, and Cincinnati. We meet in thought our long-expectant relatives, so that at last our air-castles become stale and monotonous, and we fear that the reality may be robbed of half its anticipated pleasure from being so often lived over in imagination.
Nine o’clock, Friday evening.
Source: Gutenberg

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