Summary

R. Talbot Kelly,  Peeps at Many Lands: Burma

“ Through the steamy exhalations from the ground, and dancing on the dewdrops which hang heavy upon every blade or ear, the early sun is shining. Everything is mysterious in the haze, through which the belt of forest which surrounds the cultivated land is grey and ghost-like; huge cobwebs hang between the bushes laden with glittering beads of moisture, and the whole scene is bathed in a curious opalescent light in which all sense of distance is destroyed. Scattered through the fields are the harvesters, whose brightly-coloured "lungyi" and gay head-scarf are the only spots of definite colour. ”
Source: Gutenberg

R. Talbot Kelly,  Peeps at Many Lands: Burma

“ Pretty fans or handkerchiefs are carried in the hand, while, like a halo surrounding the head, dainty parasols, semi-transparent and hand-painted, shield them from the sun. It is difficult to give any true impression of such a Burmese crowd, in which every conceivable variety of tint and texture is displayed, and permeating which is a sense of [20] universal gaiety and lightness of heart. It is like nothing so much as a beautiful flower-garden, while the people themselves would seem to be as free from care as the butterflies that hover above the blooms. ”
Source: Gutenberg

R. Talbot Kelly,  Peeps at Many Lands: Burma

“ Immediately the forest is alive again, but with new inhabitants. The dancing fireflies weave rings of bluish light around the tree-trunks, already half lost in the gathering darkness; crickets and tree-frogs contribute to the growing sounds of the woody solitude; while the stealthy tread of some prowling animal is faintly heard among the withered debris of the undergrowth. It is no longer safe to wander from the camp-fire, whose flames, shooting upwards in straight tongues, light up the nearer trees in contrast to the blackness beyond, in which many a dangerous wild beast lurks. ”
Source: Gutenberg

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