Summary

Raemaekers' Cartoon History of the War…

The landscape painter disappeared, and in his place arose a champion of civilization, throbbing with sublime rage and pity, clothed with authority, and invested with a weapon more powerful than the ruthlessness it indicts.
When the stories of the Belgian horror began to circulate in Holland, Raemaekers, like the rest of the humane world, refused to credit them. His own mother was German; he had spent many happy years in Germany; he knew the German peasant as a kindly and happy, if rather stupid fellow; it was incredible that such men could have done the awful things alleged.
Source: Gutenberg

Raemaekers' Cartoon History of the War…

Then comes the miracle of his transformation; the idyllic is thrust aside by the hideous reality; beauty is drowned in a bestial orgy of force; and in place of the passive painter arises the fiery preacher; the brush is discarded for the pencil, and the pencil in his hands becomes an avenging sword, because by it millions of people have been aroused to a clear-cut realization of the fact that the issue of this war is no less than Slavery and Autocracy versus Freedom and Democracy.
Source: Gutenberg

Raemaekers' Cartoon History of the War…

He sees in war itself no pomp and glitter, but only the burning village, the devastated home, the agonized women and children, and the brave and faithful dead. He depicts militarism as hideous, brutal, coarse, and cunning. His one thought seems to be that those things which all kindly and gentle men and women hold dear and sacred are being trampled upon and threatened by a monstrous wrong; and that the ideals of justice, order, and human liberty which have been established in the conscience of humanity after centuries of painful struggle are in danger of annihilation.
Source: Gutenberg

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