Robert H. Milligan

Summary

Robert H. Milligan The fetish folk of West Africa (1912)

Nature is not the result of myriad spirits hostile to himself, but the product of one single mind, and its laws, the expression of a constant and loving Will. It is as if the forked lightning at which he trembles in the darkness should flash upon the storm-cloud the word Father; and fear becomes faith. In Jesus the One God of conscience, the Father, becomes supreme over nature.
A certain native named Toko, of the Mpongwe coast tribe, who had been for some years a Christian, went back into the interior among the Fang, preaching the Gospel.
Source: Gutenberg

Robert H. Milligan The fetish folk of West Africa (1912)

Trial by ordeal is common even among the most intelligent. And not a death occurs among them that is not attributed to witchcraft.
A man dying in the hospital at Gaboon turns his solemn, beautiful eyes towards one who sits beside him, and tells in confidence what has brought about his death. It is strange how approaching death, as if to testify to man’s divine origin in the hour of his most appalling defeat, dignifies the features and countenance of the lowest with a mysterious dignity that transcends all differences of colour, transforms even natural ugliness, and brings all men to one level.
Source: Gutenberg

Robert H. Milligan The fetish folk of West Africa (1912)

For a long time the music of Africa defied every attempt on my part to reduce it to musical notation. Very few persons have made the attempt; for it is easier to reduce their language to writing than their music. At first it seemed as inarticulate and spontaneous as the sound of the distant surf with which it blended, or the music of the night-wind in the bamboo.
The melody of African music is strange to our ears, because, as I have said, it is usually derived from tone-systems that are unlike either our major or minor scales.
Source: Gutenberg

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