Robert Tyas

“ The dense foliage does not obscure them now, but they are beheld in all their majesty. "If the contrast of gray and mossy branches," says Howitt, "and of the delicate richness of young leaves gushing out of them in a thousand places be inexpressibly delightful to behold, that of one tree with another is not the less so. One is nearly full clothed; another is mottled with gray and green, struggling, as it were, which should have the predominance, and another is still perfectly naked. The pines look dim dusky amid the lively hues of spring. ”

“ The appearance of woods in autumn is indeed more picturesque, and more replete with incidental beauty than at any season of the year. So evident is this, that painters have universally chosen it as the season of landscape. The leafy surface of the forest is then so varied, and the masses of foliage are yet so full, that they allow the artist great latitude in producing his tints, without injuring the breadth of his lights. ”

“ Indeed, no species of landscape is so fitted for [035] meditation. The forest attracts the attention by its grandeur, and the park scene by its beauty; while the paths through copses, dells, and thickets, are too close, devious, interrupted, and often too beautiful to allow the mind to be at perfect ease. But the uniform sameness of the grove leaves the eye disengaged; and the feet wandering at pleasure, where they are confined by no path, want little direction. The mind, therefore, undisturbed, has only to retire within itself. ”

“ Gilpin remarks that the Holly can hardly be called a tree, though it is a large shrub, and a plant of singular beauty; but he cannot accord with the learned naturalist (Evelyn) in the whole of his rapturous encomium on his hedge at Say's Court. He recommends it, not as a hedge, but to be planted in a forest, where, mixed with oak, or ash, or other trees of the wood, it contributes to form the most beautiful scenes; blending itself with the trunks and skeletons of the winter, or with the varied greens of summer. And as far as an individual bush can be beautiful, the Holly is extremely so. ”

“ The branches of the Beech are fantastically wreathed and disproportioned, twining awkwardly among one another, and running often into long unvaried lines, without any of that strength and firmness which we admire in the oak, or of that easy simplicity which pleases in the ash: in short, we rarely see a Beech well ramified. In full leaf, it is unequally pleasing; it has the appearance of an overgrown bush. Virgil, indeed, was right in choosing the Beech for its shade. No tree forms so complete a roof. ”

“ There it wants variety, and that not only from the smoothness of the surface, but from the uniformity of the furniture—at least if it be an artificial scene, in which the trees, having been planted in a nursery, grow all alike, with upright stems. And yet a walk, upon a velvet turf, winding at pleasure among these natural columns, whose twisting branches at least admit some variety, with a spreading canopy of foliage over the head, is pleasing, and in hot weather refreshing. Sometimes we find the open grove of natural growth ”

“ We have seen it contrasting its tender green and its delicate leaves with the brighter and deeper masses of the holly and the alder. We have seen it growing under the shelter, though not under the shade, of some stately oak, embodying the idea of beauty protected by strength. Our eyes have often caught the motion of the busy mill-wheel, over which its blossoms were clustering. ”

“ It is age which gives the tree its tufted form, and the forest its effect. A nursery of saplings produces it not, and the copse is little more, nor does the intermixture of full-grown trees assist the appearance. Their clumpy heads blend ill with the spiry tops of the juniors. Neither have they any connection with each other. The woodman's judgment is shown in leaving the timber-trees at proper intervals, that they may neither hinder each other's growth, nor the growth of the underwood. But the woodman does not pretend to manage his trees with a view to picturesque beauty ”

“ We have seen it growing grandly on the green of the village school, the great object of general attraction to the young urchins, who played in idle groups about its roots, and perhaps the only thing remaining to be recognised when the schoolboy returns as the man. We have seen its aged boughs overshadowing one half of some peaceful woodland cottage, its foliage half concealing the window, whence the sounds of happy content and cheerful mirth came forth. ”

“ Of all the hues of autumn, those of the oak are commonly the most harmonious. In an oaken wood, you see every variety of green and brown, owing either to the different exposure of the tree, the difference of the soil, or its own nature. In the beechen grove, this variety is not to be found. In early autumn, when the extremities of the trees are slightly tinged with orange, it may be partially produced; but late the eye is usually fatigued with one deep monotonous shade of orange, though perhaps it is the most beautiful among all the hues of autumn. ”

“ The eye is carried down, from the higher grounds, to a sweep of the river—or to a little gushing cascade—or to the face of a fractured rock, garnished with hanging wood—or perhaps to a cottage, with its scanty area of lawn falling to the river on one side, and sheltered by a clump of oaks on the other; while the smoke, wreathing behind the trees, disperses and loses itself as it gains the summit of the glen. ”

“ The Sycamore is not unfrequently planted in streets and before houses, on account of its spreading branches and thick shade, for which it bears a high reputation. Of this tree Sir T. D. Lauder says, "the spring tints are rich, tender, glowing, and harmonious. In summer, its deep green hue accords well with its grand and massy form; and the browns and dingy reds of its autumnal tints harmonize well with the other colours of the mixed grove, to which they give a depth of tone. It is a favourite Scotch tree, having been much planted about old aristocratic residences in Scotland." ”

“ But of the seasons autumn is the most pleasant for a woodland ramble. The depth of gloom, the silence, the wild cries that are heard flitting to and fro; the falling leaves already rustling to the tread, and strewing the forest walk, render it particularly pleasant. ”

“ Contrasts arise, again, from the mixture of trees of unequal growth, from a young tree united with an old one, a stunted tree with a luxuriant one, and sometimes from two or three trees, which in themselves are ill-shaped, but when combined are pleasing. Inequalities of all these kinds are what chiefly give nature's planting a superiority over art.
The form of the foliage is another source of contrast. In one part, where the branches intermingle, the foliage will be interwoven and close; in another, where the boughs of each tree hang separately, the appearance will be light and easy. ”

“ If we would really appreciate the beauty of this tree, we should walk in a wood of them. In its juvenility, contrary to the generality of trees, the Beech is decidedly the most pleasing, not having acquired that heaviness which Gilpin so loudly complains of. A light, airy young Beech, with its spiry branches hanging in easy forms, is generally beautiful. And, occasionally, the forest Beech, in a dry hungry soil, preserves the lightness of youth in the maturity of age. ”

“ Lightness is a characteristic of beauty in a tree; for though there are beautiful trees of a heavy, as well as of a light form, yet their extremities must in some parts be separated, and hang with a degree of looseness from the fulness of the foliage, which occupies the middle of the tree, or the whole will only be a large bush. From position, indeed, and contrast, heaviness, though in itself a deformity, may be of singular use in the composition both of natural and of artificial landscape. ”

“ On our entrance into the Woodland, the eye first greets the majestic Oak, which is represented as holding the same rank among the plants of the temperate regions throughout the world, that the lion does among quadrupeds, and the eagle among birds; that is to say, it is the emblem of grandeur, [159] strength, and duration; of force that resists, as the lion is of force that acts. In short, its bulk, its longevity, and the extraordinary strength and durability of its timber, constitute it the King of Forest trees. ”

“ Half through the foliage seen.
In England, the hop we consider the most beautiful appendage of the hanging kind. In its rude natural state, indeed, twisting carelessly round the branches of trees, it has as good an effect as the vine. Its leaf is similar; and though its bunches are not so beautiful as the clusters of the vine, it is more accommodating, hangs more loosely, and is less extravagant in its growth.
The motion of trees is one source of considerable beauty. The waving heads of some, and the undulation of others, give a continual variety to their forms. ”

“ In distant landscape the copse hath seldom any effect. The beauty of a wood in a distant view arises in some degree from its tuftings which break and enrich the lights, but chiefly from its contrast with the plain, and from the grand shapes and forms, occasioned by the retiring and advancing parts of the forest, which produce vast masses of light and shade, and give effect to the whole. ”

“ In some situations, indeed, and amidst a profusion of other wood, a single Horse-chestnut or two in bloom may be beautiful. As it forms an admirable shade, it may be of use, too, in thickening distant scenery, or in screening an object at hand; for there is no species of foliage, however heavy, nor any species of bloom, however glaring, which may not be brought, by some proper contrast, to produce a good effect. ”

“ And though we find great beauty—beauty at once perceptible and ever-varying, and consequently more universally felt and appreciated—among plants of an inferior order—among shrubs and flowers, yet these latter may be considered beautiful rather as individuals, for as they are not adapted to form the arrangement of composition in landscape, nor to receive the effect of light and shade, they must give place in point of beauty—of picturesque beauty at least—to the form, and foliage, and ramification of the tree. ”

“ No one can deny but that the same power which brings forth the leaves of trees, will also make the grain vegetate; nor can any one assert that a premature sowing will always, and in every place, accelerate a ripe harvest. Perhaps, therefore, we cannot promise ourselves a happy success by any means so likely, as by taking our rule for sowing from the leafing of trees. We must for that end observe in what order every tree puts forth its leaves according to its species, the heat of the atmosphere, and the quality of the soil. ”

“ The leaves of the Hornbeam somewhat resemble those of the elm, but are smoother; they are cordate, doubly serrate, pointed, plaited when young, and have numerous parallel, transverse, hairy ribs; their colour is a darkish green, changing to a russet brown in autumn, and they remain on the tree, like those of the beech, till spring. The buds are rather long and pointed. ”

“ If planted in woods, by the road-side, and left untrimmed, as they should be, they will be feathered to the bottom, and will in summer, in addition to their beautiful appearance, hide the naked stems of other trees which are considered disagreeable objects; while in autumn, the golden hue of the leaves will heighten the mellow and pleasing effect produced in the woodlands by the variety of hues in the foliage of different trees, which contrast and blend together in one harmonious and pictorial aspect. ”

“ A straight stem, of forty or fifty feet, let its head be what it will, can hardly produce a picturesque form.
Close by the gate of the water-walk at Magdalen College, Oxford, grew an Oak, which, perhaps, stood there a sapling when Alfred the Great founded the University. This period only includes a space of nine hundred years, which is no great age for an Oak. It is a difficult matter indeed, to ascertain the age of a tree. The age of a castle, or abbey, is an object of history: even a common house is recorded by the family that built it. ”

“ The longevity of the Oak is supposed to extend beyond that of any other tree. It is through age [163] that the Oak acquires its greatest beauty, which often continues increasing, even into decay, if any proportion exists between the stem and the branches. When the branches rot away, and the trunk is left alone, the tree is in its decrepitude, the last stage of life, and all the beauty is gone. ”

“ Spread wide their giant arms.
The prophet Ezekiel has given us the fullest description of the Cedar: "Behold the Assyrian was a Cedar in Lebanon, with fair branches, and with a shadowing shroud, and of a high stature; and his top was among the thick boughs. His boughs were multiplied, and his branches became long. The fir-trees were not like his boughs, nor the chestnut-trees like his branches, nor any tree in the garden of God like unto him in beauty." ”

“ But, in its maturer age, the beauty of the English Cedar is generally gone; it becomes shrivelled, deformed, and stunted; its body increases, but its limbs shrink and wither. Thus it never gives us its two leading qualities together. [073] In its youth, we have some idea of its beauty, without its strength; and in its advanced age, we have some idea of its strength, without its beauty. ”

“ In trees, it is just the reverse: the smaller parts, the spray, the leaves, the blossom, and the seed, are the same in all trees of the same kind; while the larger parts, from which the most beautiful varieties result, are wholly different." For instance, you never see two oaks with the same number of limbs, the same kind of head, and twisted in the same form.
When young, trees, like striplings, shoot into taper forms. There is a lightness and an airiness about them, which is pleasing; but they do not spread and receive their just proportions, until they have attained their full growth. ”