Sabine Baring-Gould

Sabine Baring-Gould

Once a Week (1863)

Summary

Portrait of Sabine Baring-Gould Sabine Baring-Gould,  Once a Week (1863)

“ For, surely, the most solemn moment of a life is that when the will is written: that will, which is to speak for man when the voice is passed as a dream; when the heart which devises it has ceased to throb; the head which frames it has done with thinking—under the fresh mould; the hand which pens it has been pressed, thin and white, against a cold shroud, to moulder with it: surely he who, at such a moment, can write words of hate must have a black heart, but he who ventures then to gibe and jest must have no heart at all.
There is some truth in the old ghost-creed; man can return after death
”
Source: Wikisource

Portrait of Sabine Baring-Gould Sabine Baring-Gould,  Once a Week (1863)

“ What a remarkable document a will is! It is the voice of a man now dead, coming back in the hush of a darkened house—from the vault, low and hoarse as an echo. It speaks, and people hearken; it commands, and people obey; law supports and enforces its wishes; no power on earth can alter it. We expect to hear the voice calm, earnest, and speaking true judgment; terrible indeed if it breaks out with a snarl of hate—more terrible still if it gibbers and laughs a hollow, ghost-like laugh. ”
Source: Wikisource

Portrait of Sabine Baring-Gould Sabine Baring-Gould,  Once a Week (1863)

“ Woolsonbury stands out like a headland above the dark Danny woods, over which the rooks were wheeling and cawing previous to settling themselves in for the night. Ditchling beacon—its steep sides gashed with chalk-pits—was faintly flushed with light. The Clayton windmills, with their sails motionless, stood out darkly against the green evening sky. Close beneath opens the tunnel in which, not so long ago, had happened one of the most fearful railway accidents on record. ”
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature