Summary

Portrait of Samuel Taylor Coleridge Samuel Taylor Coleridge Coleridge's Ancient Mariner and Select Poems

Political poetry is likely to lose its power with the passing of the events and passions that give it birth; it retains its power just in proportion as it is built on lasting and universal interests of the heart of man. That "France" has retained its position as one of the great odes of the English language is due not only to the loftiness of its thought and the splendor of its imagery, but even more to the fact that it turns from the political excitement of the hour to the grandeur and beauty of nature and to those aspirations and ideals whose home is "in the heart of man."
Source: Gutenberg

Portrait of Samuel Taylor Coleridge Samuel Taylor Coleridge Coleridge's Ancient Mariner and Select Poems

That is the way his conversation,—or monologue, as it often was,—affected not boys only, but men, and especially young men, to his dying day. He cast a spell upon men by his speech; upon his schoolfellows, upon young men at the universities in the Pantisocracy days, upon Lloyd and Poole at Nether Stowey, upon earnest young thinkers in his last days at Highgate; so that even if he had never written "The Ancient Mariner" and the Biographia, Literaria he would still be remembered for the inspiration of his talk.
Source: Gutenberg

Portrait of Samuel Taylor Coleridge Samuel Taylor Coleridge Coleridge's Ancient Mariner and Select Poems

Wordsworth, on the other hand, was to propose to himself as his object, to give the charm of novelty to things of every day, and to excite a feeling analogous to the supernatural, by awakening the mind's attention from the lethargy of custom, and directing it to the wonders and loveliness of the world before us; an inexhaustible treasure, but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not, ears that hear not, and hearts that neither feel nor understand.
Source: Gutenberg

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