Summary

Portrait of Silvio A. Bedini Silvio A. Bedini The Borghesi Astronomical Clock in the Museum of History and Technology

In the middle of the frontispiece, as at the center of the universe, the terraqueous globe of the week revolves, with a daily motion turning from right to left, bringing with it from the round window the coming day and at the circumference the circle of hours common to the sun, to the moon, to the fixed stars, to the head and tail of the dragon, and to the raging sea.
Source: Gutenberg

Portrait of Silvio A. Bedini Silvio A. Bedini The Borghesi Astronomical Clock in the Museum of History and Technology

Again and again, Bertolla threw up his hands in despair and begged Father Borghesi to abandon the enterprise. He protested that he was not capable of producing such a complicated mechanism; he had neither the tools nor the skill. The priest wished to produce a clock such as the world had never seen before, such as the greatest scientists and clockmakers of all time had never been able to make. But Bertolla felt that he was only a provincial craftsman who could not hope to surpass them all with only his simple tools and training.
Source: Gutenberg

Portrait of Silvio A. Bedini Silvio A. Bedini The Borghesi Astronomical Clock in the Museum of History and Technology

Lying between these circles, there is another eccentric circle (black with a spot) exhibiting the shadow of the earth, in which the little moon sinks itself, carried by the lowest index. In any ecliptic full moons, the patent number of inches of immersion somehow affects the minds of the cultured, but also the scheme of maximum obscuration affects the eyes of the illiterate themselves.
Source: Gutenberg

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