Summary

Portrait of Stacy Aumonier Stacy Aumonier The golden windmill and other stories

As I walked up by the chalk-pit near Gueldstone Head, and saw the stone-gray cottages at Lulton nestling in the hollow of the downs, and smelt the dear salt dampness of it all, and felt the lovely tenderness of the evening light, I thought of Giles and what he represents, and of my mother, and what she represents, and of all the people I know and love with all their faults, and I made up my mind that I would fight for it in any case, in the same way that I would fight for a woman I loved, even if I knew she were a harlot....
Source: Gutenberg

Portrait of Stacy Aumonier Stacy Aumonier The golden windmill and other stories

I’ve hired a frock from Roco’s.’ ‘Child,’ I said, ‘your Aunt Sophie has been working out her life’s blood for you. Here is the frock.’ She grabbed it and examined it. ‘Frock!’ she said. ‘It looks more like a nightdress. I don’t want the beastly old thing’; and she threw it across the room. I believe at that moment I could have struck the child. I was blind with fury. Fortunately, I remembered in time that she was my old friend Terry O’Bane’s daughter. I picked up the frock. ‘Ungrateful child!’ I exclaimed. ‘You don’t know what you’re doing. You’re murdering an ideal.
Source: Gutenberg

Portrait of Stacy Aumonier Stacy Aumonier The golden windmill and other stories

And the war becomes to me epitomized in two women. One in this dim doorway in our obscure suburb of Dalston, scraping out a pan, and the other perhaps in some dark high house near a canal on the outskirts of Bremen. Them others! These two women silently enduring. And the trains rushing by, and all the dark, mysterious forces of the night operating on them equivocally.
Poor Mrs. Frow Stelling! Perhaps those boys of hers are “missing, believed killed.” Perhaps they are killed for certain. She is as much outside “the things going on” as Mrs. Ward. Perhaps she is equally as patient, as brave.
Source: Gutenberg

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