Summary

The Mirror of Taste, and Dramatic Censor…

Oh, sweet Ulrica! Oh, most savage— (turns, and comes against countess.) Mercy! do I see right?
Count. You see your aunt, the countess Roland, who regrets extremely she didn't see you on your last visit—but you saw Ulrica; and if, as I presume, you come once more to see her— (Christopher more and more frightened.) You do; your looks, your fears, your agitation proves it; and to end at once yours, hers, and my anxiety—Ulrica!
Chris. Don't—don't alarm the family! Upon my honour. (appealing.)
Count. When I selected the son of baron Ravensburg, I hadn't the honor of knowing my charming nephew.
Source: Gutenberg

The Mirror of Taste, and Dramatic Censor…

Enter Agnes, hastily, not seeing Ravensburg.
Agnes. I cannot comprehend! the prince to gaze on me with such emotion! wildly exclaim, "the sight of her is hateful!" and, with the baron, leave the banquet, to be told the whole of my sad history—'Tis well! I shall not suffer by the truth; for, as I guess, mine, is a story to excite more of compassion than resentment.
Ravens. Agnes! speak—what of the Prince?
Agnes. Nothing, my lord
Source: Gutenberg

The Mirror of Taste, and Dramatic Censor…

So, after an interval of ten long years, again I view and welcome the tribunal. Ay, Walbourg, welcome it. For though dark traitors, plotting against a state, may oft elude the common vigilance which broad and open justice takes, yet can they escape the penetrating eye of this deep-searching and all-powerful court? No. Unseen it sees, and unknown pries into such hidden guilt, that the detected villain, awe-struck, cries, "this is not man's but Heaven's unerring vengeance."
Zas. And, once detected, shall free knights forgive! Be death the doom of all the prince's foes.
Source: Gutenberg

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