Theodor Mommsen

Theodor Mommsen

Summary

Portrait of Theodor Mommsen Theodor Mommsen,  The History of Rome (1875)

“ Hellas developed with incredible rapidity, out of its religious conceptions, the myth and the worshipped idol, and out of these that marvellous world of poetry and sculpture, the like of which history has not again to show. In Latium no other influences were powerful in public and private life but prudence, riches, and strength; it was reserved for the Hellenes to feel the blissful ascendancy of beauty, to minister to the fair boy-friend with an enthusiasm half sensuous, half ideal, and to reanimate their lost courage with the warsongs of the divine singer. ”
Source: Wikisource

Portrait of Theodor Mommsen Theodor Mommsen,  The History of Rome (1875)

“ Thus the two nations, in which the civilization of antiquity culminated, stand side by side as different in development as they were in origin identical. The points in which the Hellenes excel the Italians are more universally intelligible, and reflect a more brilliant lustre; but the deep feeling in each individual that he was only a part of the community, a rare devotedness and power of self-sacrifice for the common weal, an earnest faith in its own gods, formed the rich treasure of the Italian nation. ”
Source: Wikisource

Portrait of Theodor Mommsen Theodor Mommsen,  The History of Rome (1875)

“ In a life of indolence in which their energies were never tried either by stance on the part of the natives, or by hard labour of their own, even Greeks speedily lost all elasticity of body and of mind. None of the brilliant names in Greek art or literature shed glory on the Italian Achæans, while Sicily could claim ever so many of them, and even in Italy the Chalcidian Rhegium could produce its Ibycus, and the Doric Tarentum its Archytas. ”
Source: Wikisource

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