Summary

Arthur E. R. Boak A History of Rome to 565 A. D

Recruited, as the latter now were, almost entirely from the frontiers of the Roman world, they felt no community of interest with the inhabitants of the peaceful provinces and turned upon them, like unfaithful sheep dogs upon the flocks whom it was their duty to guard. The sole object of the troops was to enrich themselves by plunder and the extortion of high pay and frequent largesses from the emperor whom they supported. Hence, in the expectation of fresh rewards, each army hailed as Imperator the commander who had led it to victory over foreign foes or revolting soldiers of Rome.
Source: Gutenberg

Arthur E. R. Boak A History of Rome to 565 A. D

The most striking testimony to the grandeur of Rome comes from the remains of Roman architecture in the provinces—from such imposing ruins as the Porta Nigra of Trèves, the theatre at Orange, the Pont du Gard near Nîmes, the bridge over the Tagus at Alcantara and the amphitheatres of Nîmes in France and El-Djemm in Tunisia. But, like the literature, the Roman art of the principate in time experienced a loss of creative power. It reached its height under the Flavians and Trajan and then a steady deterioration set in.
Source: Gutenberg

Arthur E. R. Boak A History of Rome to 565 A. D

The letters of Pliny reveal an entirely different world with a high standard of human conduct, whose ideals are expressed in the philosophic doctrines of Seneca and Marcus Aurelius. And the funerary inscriptions from the municipalities, where life was more wholesome and simple than in the large cities, pay a sincere tribute to virtue in all its forms. The luxurious extravagance of imperial Rome has been equalled and surpassed in more recent times, and, apart from the vices of slavery and the arena, modern society has little wherewith to reproach that of the principate.
Source: Gutenberg

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