“ At the name of Sinfi Lovell the past came flowing in.'Then there is a Sinfi Lovell, Winnie! And yet she is one of the figures in the dream. There was no Sinfi Lovell with us at Raxton.''Of course there is a Sinfi Lovell! You begin to make me as dazed as yourself. You have known her well; you and she were seeking me when I was lost.''Then you were lost?' I said. 'That, then, is no dream. And yet if you were lost you have been—But you are alive, Winnie. Let me feel the lips on mine again. You are alive! Snowdon told me at last that you were alive, but I dared not believe it, my darling. ”
Theodore Watts-Dunton
Summary
Theodore Watts-Dunton’s Aylwin is a novel weaving together art, love, and the supernatural, focusing on the painter Henry and his tempestuous bond with the mysterious Winifred, whose disappearance and return propel the story. Key characters such as Sinfi Lovell, a Gypsy musician, and Wilderspin, a doubting companion, explore themes of curses, artistic fixation, and the thin boundary between the real and the spiritual.
The narrative delves into the redemptive force of love, the anguish of materialism, and the lingering influence of the past, ultimately culminating in a fusion of emotional and existential conflict that highlights the connection between human desire and the unseen powers that mold fate.
Quotes from Aylwin (Theodore Watts-Dunton)
“ It would indeed, as Wilderspin had said, endow mediocrity with genius.'Why do you sigh?' she repeated.'Oh, if I could paint that, Winnie, if I could paint that picture in the water.''And why should you not?' she said, in a dreamy way. And then a sudden thought seemed to strike her, and she said with much energy, 'Become a painter, Henry! Become a painter! No man ever yet satisfied a true woman who did not work—work hard at something—anything—if not in the active affairs of life, in the world of art. My love you must always have now—you must always have it under any circumstances. ”
“ When I learnt from Sinfi Lovell that you had fulfilled my prophecy I did not laugh. Tears rather than laughter would have been more in my mood, for I realised the martyrdom you must have suffered before you were impelled to do it. I knew how you must have been driven by sorrow—driven against all the mental methods and traditions of your life—into the arms of supernaturalism. But you were simply doing what Hamlet would have done in such circumstances—what Macbeth would have done, and what he would have done who spoke to the human heart through their voices. ”
