Summary

Thomas MacKellar The American Printer: A Manual of Typography

Typograph, that you have never gone over a type-foundry? We shall be happy to show you every thing. This way, sir. Here is the metal-house. These piles of dull lead, these casks of sparkling antimony, this copper, and this tin go to form the grand amalgam of which type is made. The worthy and kind-hearted man who is stirring at the kettle, unites, in bonds stronger than matrimony, immense masses of these metals every week.
Source: Gutenberg

Thomas MacKellar The American Printer: A Manual of Typography

Very well, sir: we hope you will treasure them up. You say truly when you remark, that the printing done in this room is seldom, if ever, surpassed in America. We know that; and we intend to stand on the topmost round of the typographical ladder, and to show our fellow-artists what can be done with type such as we manufacture.
We are afraid, Mr. Typograph, that your long excursion over the house has wearied you. Let us go down-stairs again. These, sir, are our warerooms.
Source: Gutenberg

Thomas MacKellar The American Printer: A Manual of Typography

Ah, we forgot to show you our large-type room. On our way to the electrotype department, we will glance in it. The types you see here cool too slowly to be cast in a machine, so we continue to pour them. Look over the drawers, and see the multitude of patterns. Some men fancy one style, and some another. So we try to meet all tastes. Feel how [45] solid the type is. You can’t squeeze the life out of that type on a power-press. No, indeed. It is made for wear.
Now, Mr. Typograph, we enter the grimed and murky electrotype-room. Electrotyping, you are aware, is simply stereotyping in copper.
Source: Gutenberg

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