Summary

Various Blackwood's Edinburgh Magazine…

He wished to fly, but an irresistible power nailed him to the spot. He was fascinated by the look of the Unknown.
"Madman!" said the stranger in a hollow voice—"madman who cannot resist the first impulse of anger and false shame!"
"Leave me," answered Frederick in his turn; "I am disgraced, and have no resource but to die."
"The triumph of Castero, then—the triumph he owes to luck—has cowed you so that you are afraid to challenge him to another trial?"—rejoined the stranger in an angry tone.
"Every thing is lost," said Frederick, "don't you hear those sounds?"
Source: Gutenberg

Various Blackwood's Edinburgh Magazine…

The conventional style of portrait is undoubtedly good, and founded on good sense—but genius will seize an opportunity, and be original—such is the character of Mr Grant's portrait of "Lord Charles Scott, youngest son of the Duke and Duchess of Buccleuch." The boy stands like a boy, every limb belongs to him; he is all life—the flesh tints in the face are as perfect as can be. The attitude, the dress, so admirably managed. It has all the breadth, and power, too, of Velasquez, with all modern clearness. And what a charmingly coloured picture is the portrait of "Lady Margaret Littleton!"
Source: Gutenberg

Various Blackwood's Edinburgh Magazine…

In such a scene—where "Contemplation has her fill"—the perfect truth of this highly finished picture is sure to renew the feeling first enjoyed—enjoyed in solitude: it should have no figure but ourselves, for we are in it—and it has none. The colouring and execution are most true to nature; if we would wish any thing altered, it would be the sky, which is a little too light for the deep solemnity of all below it. Exquisitely beautiful as are these scenes from Mr Creswick's pencil, we doubt if he has reached or knows his own power.
Source: Gutenberg

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