Summary

Various,  Notes and Queries, Vol. V, Number 134…

“ The repetition, or rather the opposition, of "beauteous" and "beauty," cannot seriously be objected to by any one conversant with the phraseology of Shakspeare. Were it at all necessary, many similar examples might be cited. How the anonymous annotator, already quoted, could say that the sentence, as it stands in the folio, "by no means serves to illustrate Bassanio's reflexion," I cannot conceive. "The beauteous scarf" is the deceptive ornament which leads to the expectation of something beneath it better than an Indian beauty! ”
Source: Gutenberg

Various,  Notes and Queries, Vol. V, Number 134…

“ The extraordinary powers of cure spoken of in verses often inscribed below the figures of this saint, were understood by the faithful to allude to the efficacy of the Holy Communion, that made them Christopher's, i.e. persons bearing their blessed Saviour, not on their shoulders, but within their breasts. His figures in sculpture and painting are always represented as colossal, to signify that this heavenly food makes each of the faithful "as a giant to run the way" (Ps. xix. 5.) ”
Source: Gutenberg

Various,  Notes and Queries, Vol. V, Number 134…

“ Therefore this summing up cannot refer singly to beauty, no more than to any other of the subordinate illustrations, but it must have general reference to adventitious ornament, against which the collected argument is directed.
2ndly. The word beauty is necessarily attached to Indian as designative of sex: "an Indian," unqualified by any other distinction, would imply a male; but an "Indian beauty" is at once understood to be a female.
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Source: Gutenberg

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