Summary

Various Punch, or the London Charivari…

Rosamond must be right and virtuous; Eleanor wrong and vicious; the King fond, weak, and capricious. To regard the whole story as one of a mere amour is to entirely miss the beauty of the gentle Rosamond's nature. She is at once "gentle and simple."
And herein seems to me to have been the puzzlement in the poet's mind; he was in doubt whether to regard Henry's attachment to Rosamond as only a liaison—to represent Becket as so treating it, or to place Eleanor manifestly in the wrong, as being herself not the wife she pretends to be. "Go to a nunnery, go!" is the end of it all.
Source: Gutenberg

Various Punch, or the London Charivari…

Grander far than Savonarola was Thomas Becket, soldier, priest, and martyr.
Then his tender compassion for the unfortunate Rosamond, a most difficult character—nay, a characterless character—for any actress to play! Becket as archbishop and actor, seems to pity her for being so colourless. Tennyson couldn't do without her, yet he could do very little with her.
Our Ellen Terry is a sweet loving gentle figure, clinging to her royal lover with a sort of fond hope that one of these days things in general would turn out all right; but in the meantime she is living always "in a maze."
Source: Gutenberg

Various Punch, or the London Charivari…

No, darling, I do not. The Division has been taken; it is all over. At the last moment I rose in my place in the House, and made purposely one of the most injudicious orations ever heard within those respected walls. I disgusted friends, alienated adherents, and in every possible manner strengthened the hands of the Opposition; and, darling we are beaten—yes, beaten—by a thumping majority.
Source: Gutenberg

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