Summary

Various Punch, or the London Charivari…

As it is, the effect of this dramatically grouped scene is lessened by the absence of action, and Bulbo is off the scaffold ere the majority of the audience realise the peril in which his life has been placed.
I must not forget the army of children appearing from time to time as courtiers, cooks, fairies, soldiers, who will be the source of the greatest pleasure to children of all ages, from "little Trots" upwards. Nothing in this genuinely Christmas Piece is there which can do aught but delight and amuse the young people for whom primarily it was written.
Source: Gutenberg

Various Punch, or the London Charivari…

Who cares about history? Mix up your dates and your incidents, and fill up with any amount of simple human passions. Then you'll get a Saga? After that you can write a Proem and an Epilogue. They must have absolutely nothing to do with the story, but you can put in some Northern legends, and a tale about MAHOMET (by the way, I've written a play about him) which are bound to tell, though, of course, you were not bound to tell them. Ha, ha! who talked about thunderstorms, and passions, and powers and emotions, and sulphur-mines, and heartless Governors, and wicked brothers?
Source: Gutenberg

Various Punch, or the London Charivari…

I would have, as one should say, one that takes upon himself to be a dog indeed, to be, as it were, a dog at all things. And art thou so, Crab? But verily 'tis I who have taught thee, that have also to pay for thee; and, whether the art wholly worth the cost, concerns not thee, but thy master. Thou hast of late many enemies in seats of office, and elsewhere; ministers, and scribes, and feeble folk in fidgety fear of hypothetical hydrophoby. "Out with the dog!" says one. "That cur looks mad!" says another; "Muzzle him!" says the third. "Knock me him on the head with a constable's staff!"
Source: Gutenberg

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