The title of a literary work, selected by its author, functions as a name that identifies, contextualizes, and occasionally encapsulates the piece while sparking readers' curiosity. From ancient texts that relied on incipits to contemporary books with italicized titles, this idea has developed in tandem with authorship and intellectual property.
Authors such as A.A. Milne highlighted a title’s ability to enthrall, while Guy Wetmore Carryl viewed it as a form of moral reflection. Charles Raymond Barrett promoted originality and precision, emphasizing its dual function as both a creative instrument and a symbol of ownership. The title therefore connects literary identity with cultural importance.