Summary

Portrait of Charles Kingsley Charles Kingsley Lectures Delivered in America in 1874

Civilisation with me shall mean, not more wealth, more finery, more self-indulgence—even more æsthetic and artistic luxury; but more virtue, more knowledge, more self-control, even though I earn scanty bread by heavy toil; and when I compare the Cæsar of Rome or the great king, whether of Egypt, Babylon, or Persia, with the hermit of the Thebaid, starving in his frock of camel’s hair, with his soul fixed on the ineffable glories of the unseen, and striving, however wildly and fantastically, to become an angel and not an ape, I will say the hermit, and not the Cæsar, is the civilised man.
Source: Gutenberg

Portrait of Charles Kingsley Charles Kingsley Lectures Delivered in America in 1874

One work was given them, and that one they fulfilled as it had never been fulfilled before; as it will never need to be fulfilled again; for the Greeks’ work was done not for themselves alone but for all races in all times; and Greek Art is the heirloom of the whole human race; and that work was to assert in drama, lyric, sculpture, music, gymnastic, the dignity of man—the dignity of man which they perceived for the most part with their intense æsthetic sense, through the beautiful in man. Man with them was divine, inasmuch as he could perceive beauty and be beautiful himself.
Source: Gutenberg

Portrait of Charles Kingsley Charles Kingsley Lectures Delivered in America in 1874

A thing of beauty is a joy for ever.
Let me take you to the then still unfinished theatre of Athens, hewn out of the limestone rock on the south-east slope of the Acropolis.
Above are the new marble buildings of the Parthenon, rich with the statues and bas-reliefs of Phidias and his scholars, gleaming white against the blue sky, with the huge bronze statue of Athené Promachos, fifty feet in height, towering up among the temples and colonnades. In front, and far below, gleams the blue sea, and Salamis beyond.
Source: Gutenberg

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