“ Only in the best is Ireland perfect: in heroes and in saints. In life, if not in art, we can sometimes do away with economy, restraint, equipoise. We can hardly judge the epic figures of antiquity: but from Columba to "J.K.L.," from Hugh O'Neill and Sarsfield to Emmet and Lord Edward Fitzgerald, runs an endearing family likeness: scorn, pity, sweetness, disinterestedness, honor, power, brave ill luck, in them all. Most of these are rebels; their names are under the baffling shadow of exile and the scaffold, and, alas, count for naught save in their mother's memory. ”
Louise Imogen Guiney
Summary
Louise Imogen Guiney’s Patrins is a collection of essays and reflections that blend literary critique, historical insight, and philosophical contemplation. Focusing on figures such as Holbein, Charles the Second, and Irish rebels, Guiney examines themes of genius, wit, and the conflict between art and reality.
Her prose reflects on the human experience, the burden of history, and the lasting fascination with the natural world, frequently contrasting cultural heritage with personal reflection. Through striking imagery and sharp analysis, the work highlights the relationship between individual imagination and shared memory, portraying art as both a sanctuary and a confrontation.
Quotes from Patrins (Louise Imogen Guiney)
“ He who comes close to the heart-beat of progress and dissolution in the wilderness, the vicissitudes of the vegetable world, must feel that, save in an allegory, these things are not for him: they go under him as a swimmer's wave. "Change upon change: yet one change cries out to another, like the alternate seraphim, in praise and glory of their Maker." The human atom gets into the mood of the according leaf, caring not how long it has hung there, how soon it may fall. God's will, in short, is nowhere so plain and acceptable as on a lonely stretch of moor or water. ”
“ In the long run, self cannot withstand the overwhelming spectacle of other faces, and the vista of other days than ours. Unrest, however caused, must melt away insensibly in the glow of old art, and before the thought, widening the breast, in cities or on the Alpine slopes, of what has been. The tourist, be he of right mettle, falls in love with the world, and with the Will which sustains it. As much solace or exhilaration as comes into the eye and ear, so much evil, in the form of sadness, rebellion, ignorance, passes out from us, as breathed breath into the purer air. ”
