Summary

Various Punch, or the London Charivari…

In that moment all that the old pro has taught him of cuts and drives, forward play and back play, will not prevent his knees from weakening as he totters to the wicket, whereas the following hints may enable him to face the occasion with confidence if not contempt.
Remember that for a public performer a good entrance is more than half the battle; the first impression on the spectators is the most lasting.
Nothing looks worse than a batsman hurrying out at a furtive trot, as if he were going to pawn his bat.
Source: Gutenberg

Various Punch, or the London Charivari…

As soon as the bowler has covered half his course to the wicket you should raise your hand to arrest his career. Then you must stroll about a third of the way up the pitch and give the ground a good slapping with the face of your bat.
If you feel so inclined, there is no reason why you should not repeat this manœuvre. Nothing is more calculated to upset a highly-strung bowler. And when the ball does come down the chances are that it will be a wide, in which case you will have earned one run for your side.
Source: Gutenberg

Various Punch, or the London Charivari…

When taking your stance you will do well to give full effect to some such mannerism as Mr. Warner's trick of hitching up the left side of the trousers and tapping the ground seven times. And just as the bowler is about to start his run you can disconcert him by suddenly whipping round to see if they have moved another man over to the leg side while your back was turned.
Source: Gutenberg

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