Summary

Various Punch, or the London Charivari…

Then again the trombone is employed as a sort of brake when in a moment of excitement the rest of the orchestra has a tendency to overdo things.
For example, all will remember the throbbing moment at the end of the drama, where the hero and heroine, murmuring "At last!" fall into each other's arms and move slowly off the stage whilst the band starts up Mendelssohn's or Glückstein's "Wedding March." The effect on an orchestra is immediate and immense. Somewhere behind each of these stiff shirt-fronts beats a heart that thrills at every suggestion of romance.
Source: Gutenberg

Various Punch, or the London Charivari…

Lean and brown and middle-aged, in a tweed coat and grey flannel trousers, which, though not new, were well cut, I felt that I looked like one accustomed to put in and take out sums from banks. There was no trying for effect, no effort, no tie-pin. The stick I carried was a plain ash. The pipe, which I removed from my mouth, had no silver mounting. Ah, but it showed the tiny mother-of-pearl star which stamped it as a Bungknoll. There was going to be no difficulty here.
"Good morning," I said. "I regret to trouble a busy man over a small matter, but I wish to cash a cheque for ten pounds."
Source: Gutenberg

Various Punch, or the London Charivari…

My purpose is to give an intelligent reply to the oft-quoted query, "Why the trombone?"
Everybody knows that it is not in the band for musical purposes. It is not a musical instrument. The man who could extract music from a trombone could get grapes out of a coal-mine.
No, its raison d'être is mostly critical and punitive. It is there to see that the orchestra does its job and to put the fear of a hectic hereafter into the man who is out of step with his fellow-conspirators.
Source: Gutenberg

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