Summary

Various Punchinello, Volume 2, No. 33, November 12…

If we go to see her play "Lady Macbeth," we meet evidences at every step of her want of familiarity with English, or at all events with American customs. We find her playing at the ACADEMY, and we at once remark that no one but an unnecessarily foreign actress would dare to awaken the sepulchral echoes of that dismal tomb. We find, too, that at the very threshold of the house she defies the one of the most time-honored institutions of our stage, by employing a pleasant and courteous door-keeper—instead of the snarling Cerberus who lies in wait at the doors of other theatres.
Source: Gutenberg

Various Punchinello, Volume 2, No. 33, November 12…

But we sustain our spirits with the thought of the bloody murder that is coming. Talk as we ill, we all enjoy our murders, whether we read of them in the Sun and the Police Gazette, or witness them upon the stage.
When JANAUSCHEK comes upon "Macbeth" with his bloody hands, and explains to him that it is now too late to repent, either of murder or matrimony, she furnishes us with more instances of her unfamiliarity with the language. Her night-dress is not at all the sort of thing which an English-speaking woman would be willing to sleep in.
Source: Gutenberg

Various Punchinello, Volume 2, No. 33, November 12…

That we cannot to-day gaze upon the classic lineaments of her who welded such a facile pen, is a source of the most poignant regret. It is a crying shame, for I think I am correct when I say that there does not exist on the civilized globe a statue of this peerless woman, but she will always live as long as there are infant minds to form, or tender recollections of childhood to remember.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature