Summary

Various Punchinello, Volume 2, No. 28, October 8…

BENTHAM, and introduced the latter to the old lawyer and his ward.
"He did indeed save all but my head from the conflagration, and extinguished that, even, before it was much charred," cried the grateful Ritualist, with marked emotion.—"But, JEREMY, why this aspect of depression?"
"OCTAVIUS, old friend," said BENTHAM, his hollow voice quivering, "let no man boast himself upon the gaiety of his youth, and fondly dream—poor self-deceiver!—that his maturity may be one of revelry. You know what I once was. Now I am conducting a first-class American Comic Paper."
Source: Gutenberg

Various Punchinello, Volume 2, No. 28, October 8…

In whatever situation the dramatist may place her, whether in a London drawing-room or a Cockney kitchen, whether on an Algerian battle-field or in a California mining-camp, she is certain to produce the inevitable banjo, and to sing the irrepressible comic song. In fact, her plays are written not for LOTTA, but for LOTTA'S banjo. The dramatist takes the presence of the banjo as the central fact of his drama, and weaves his plot around it.
Source: Gutenberg

Various Punchinello, Volume 2, No. 28, October 8…

The principal office of the Comic Paper was one of those amazingly unsympathetic rooms in which the walls, windows and doors all have a stiff, unsalient aspect of the most hard-finished indifference to every emotion of humanity, and a perfectly rigid insensibility to the pleasures or pains of the tenants within their impassive shelter. In the whole configuration of the heartless, uncharacterized place there was not one gracious inequality to lean against
Source: Gutenberg

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