Summary

Various The British Journal of Photography…

At every place we stopped there were plenty of photographs offered to the tourist, from the humble carte-de-visite size to the more pretentious 12 by 10, but not one did I see that was worth having.
Landscape photography seems not to be understood by the Italians. They seem to set the camera down anywhere, without any consideration for picturesque effect—no judgment whatever exercised as to light and shade, and the result is a hard black and white picture with a clean white paper sky, wholly devoid of anything like artistic effect.
Source: Gutenberg

Various The British Journal of Photography…

The cross-examination goes on to say:—“The position in the photograph is not such as to give a good idea of the ear. Is this daguerreotype a fair representation of Roger Tichborne as you last saw him?—It is a very poor representation of him. I don’t speak of it as a work of art, Mr. Baigent, but does it faithfully represent the features, to the best of your recollection?—I do not consider it a faithful or good portrait. Does it faithfully represent the features?—No, it does not give you a faithful representation of the man as he was.
Source: Gutenberg

Various The British Journal of Photography…

Would you agree with Sir W. Fergusson that the plaintiff’s ears are large, well-formed and unusually pendent?—Yes. Are they what you would call decidedly and distinctly detached ears?—Decidedly. Are there some ears which are perfectly lobeless?—No doubt. And others in which the lobe is detached?—Yes. Do you agree with Sir W. Fergusson that if a man has a lobeless ear it never becomes pendent?—I should think it would not. And anatomically you would say that if a man has the one kind of ear it never becomes the other?—Decidedly.
Source: Gutenberg

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