Summary

Various,  The Idler Magazine, Volume III, June 1893

“ I do not believe in an Academy of Acting, because I do not believe that the art of acting can be taught. The art of the actor is merely the faculty or instinct for simulation that everybody possesses in a greater or less degree. Every savage can simulate or imitate the cries of birds and beasts. Every savage can cover himself with a skin and stalk a herd of deer so disguised. But some savages do these things better than others. Every child, when it wants to thoroughly enjoy itself, plays at being something other than it really is. The girl takes a doll and plays at being a mother. ”
Source: Gutenberg

Various,  The Idler Magazine, Volume III, June 1893

“ In spite of her prayers, Sister Ursula was not happy. The medicine-bottle banged and bumped in her pocket as she gripped the iron bars hand over hand and toiled aloft. “It is for the sake of a life,” she panted to herself. “It is a good work. He might die if I did not come. Ah! it is terrible.” A flake of rust from the long disused irons had fallen on her nose. The rungs were chafing her hands, and the minutes were flying. The round, red face of the caretaker’s wife grew smaller and smaller below her, and there was a rumbling of wheels in the avenue. ”
Source: Gutenberg

Various,  The Idler Magazine, Volume III, June 1893

“ Equally he need not be a superb swordsman in order to get through an effective stage combat. It is not absolutely essential that he should be elevated to the peerage before being permitted to play a duke. People talk about fencing, dancing, and elocution, as if actors had nothing to do but fence, dance, and spout. An actor has to simulate everything, from “shouts off” to a crowned king in the centre of the stage. As in all probability neither the unseen but angry shouters, nor the king, knew anything whatever of the acquirements alluded to, why should the actor bother about them? ”
Source: Gutenberg

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