Summary

Various The New Gresham Encyclopedia. Amiel to Atrauli

Covering the whole of the western end rose the Propylæa, the splendid structure through which the Acropolis was entered, constructed of Pentelic marble and consisting of a central gateway portico with two wings in the form of Doric temples. Just outside the Propylæa was the small temple of Wingless Victory. A short distance within the entrance stood the bronze statue of Athena Promachus, a colossal work of Phidias, 66 feet high, showing the goddess in complete armour and leaning on a lance.
Source: Gutenberg

Various The New Gresham Encyclopedia. Amiel to Atrauli

In all these representations she is the symbol of the thinking faculty, the goddess of wisdom, science, and art; the latter, however, only in so far as invention and thought are comprehended. In the images of the goddess a manly gravity and an air of reflection are united with female beauty in her features. As a warrior she is represented completely armed, her head covered with a gold helmet. As the goddess of peaceful art she appears in the dress of a Grecian matron.
Source: Gutenberg

Various The New Gresham Encyclopedia. Amiel to Atrauli

The Egyptians are the most ancient nation known to us among whom architecture had attained the character of a fine art. Other ancient peoples among whom it had made great progress were the Babylonians, whose most celebrated buildings were temples, palaces, and hanging gardens; the Assyrians, whose capital, Nineveh, was rich in splendid buildings; the Phœnicians, whose cities, Sidon, Tyre, &c., were adorned with equal magnificence; and the Israelites, whose temple was a wonder of architecture. But comparatively few architectural monuments of these nations have remained till our day.
Source: Gutenberg

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