Summary

Various,  The New Gresham Encyclopedia. Amiel to Atrauli

“ Covering the whole of the western end rose the Propylæa, the splendid structure through which the Acropolis was entered, constructed of Pentelic marble and consisting of a central gateway portico with two wings in the form of Doric temples. Just outside the Propylæa was the small temple of Wingless Victory. A short distance within the entrance stood the bronze statue of Athena Promachus, a colossal work of Phidias, 66 feet high, showing the goddess in complete armour and leaning on a lance. ”
Source: Gutenberg

Various,  The New Gresham Encyclopedia. Amiel to Atrauli

“ In all these representations she is the symbol of the thinking faculty, the goddess of wisdom, science, and art; the latter, however, only in so far as invention and thought are comprehended. In the images of the goddess a manly gravity and an air of reflection are united with female beauty in her features. As a warrior she is represented completely armed, her head covered with a gold helmet. As the goddess of peaceful art she appears in the dress of a Grecian matron. ”
Source: Gutenberg

Various,  The New Gresham Encyclopedia. Amiel to Atrauli

“ The Egyptians are the most ancient nation known to us among whom architecture had attained the character of a fine art. Other ancient peoples among whom it had made great progress were the Babylonians, whose most celebrated buildings were temples, palaces, and hanging gardens; the Assyrians, whose capital, Nineveh, was rich in splendid buildings; the Phœnicians, whose cities, Sidon, Tyre, &c., were adorned with equal magnificence; and the Israelites, whose temple was a wonder of architecture. But comparatively few architectural monuments of these nations have remained till our day. ”
Source: Gutenberg

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