Summary

Various The Yale Literary Magazine (Vol…

The effect is not only that of tapestry but of old stained glass. We marvel how the simple, splendid figures stand out and are yet a part of a delicately wrought background.
But in the movement of these greater figures before so complex a background lay the weakness of Hewlett’s art. He knew the pageantry and color of the lives he wrote about, but it was not given him to read deeply beneath the gaily painted surface they presented. The movement of his characters through the unfolding scenes of his romances is not puppetry. Hewlett’s touch was too fresh, too original for that.
Source: Gutenberg

Various The Yale Literary Magazine (Vol…

What the prospective lawyer really needs to broaden his horizon and prevent him from succumbing to the bondage of his shop, is letters, science, mathematics; what the future doctor needs is letters, art, history, and the unbiological sciences. This ought to be the function of the college. To continue along any other line is to destroy forever the Yale that has held such an enviable place in American life for over two centuries—to extinguish the light that has been a source of guidance and inspiration to its large and distinguished band of alumni.
Source: Gutenberg

Various The Yale Literary Magazine (Vol…

So, if we grant to his affection for Italy and her art the warmth and color of his novels, we must look for their life, their vitality, to this same England and his understanding love of her past, his oneness in spirit with even the simplest of those characters which moved across the broad canvas of her history.
It is not for me to say that either the color and warmth of Italy’s art or the life and vitality of England’s past were exclusively the foundation stones of Hewlett’s art.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature