Various, The Yale Literary Magazine (Vol…
“ The effect is not only that of tapestry but of old stained glass. We marvel how the simple, splendid figures stand out and are yet a part of a delicately wrought background.But in the movement of these greater figures before so complex a background lay the weakness of Hewlett’s art. He knew the pageantry and color of the lives he wrote about, but it was not given him to read deeply beneath the gaily painted surface they presented. The movement of his characters through the unfolding scenes of his romances is not puppetry. Hewlett’s touch was too fresh, too original for that. ”
