Victor Hugo

Victor Hugo

Summary

Portrait of Victor Hugo Victor Hugo Ninety-Three

A bee is a housekeeper, scolding as it hums.
As long as the bee stayed, the children never once moved their eyes from it.
It explored the entire library, rummaging in every corner, flying about quite as if it were at home in its hive; winged and melodious, it darted from case to case, peering through the glass at the titles of the books, just as if it had a brain, and having paid its visit, it flew away.
"It has gone home," said René-Jean.
"It is an animal," remarked Gros-Alain.
"No," replied René-Jean, "it is a fly."
"A f'y,'" said Georgette.
Source: Gutenberg

Portrait of Victor Hugo Victor Hugo Ninety-Three (1874)

And one could say: "No, civil war does not exist; barbarity does not exist; hatred does not exist; crime does not exist; darkness does not exist: this aurora, childhood, is sufficient to scatter all these spectres.
Never, in any struggle, had Satan been more visible nor God.
This battle had had a human conscience for its arena.
The conscience of Lantenac.
Now, it was beginning over again, more furious and still more decisive, perhaps, in another conscience.
The conscience of Gauvain.
What a battle-field is man!
Source: Wikisource

Portrait of Victor Hugo Victor Hugo Ninety-Three (1900)

The sound of this horn came from the top of the tower.
This horn was answered by a trumpet, which sounded from below.
At the top of the tower there was an armed man; below, in the darkness, there was a camp.
A swarm of black figures could be made out in the dim light around the Tour-Gauvain. This swarm was a bivouac. Fires were beginning to be lighted under the trees in the forest and in the heather on the plateau, piercing the darkness here and there with bright points of light, as if the earth wished to shine with stars as well as the sky, Gloomy stars,—those of war!
Source: Wikisource

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