Summary

Portrait of Willa Cather Willa Cather The Professor's House

The man he was now, the personality his friends knew, had begun to grow strong during adolescence, during the years when he was always consciously or unconsciously conjugating the verb "to love"—in society and solitude, with people, with books, with the sky and open country, in the lonesomeness of crowded city streets. When he met Lillian, it reached its maturity. From that time to this, existence had been a catching at handholds. One thing led to another and one development brought on another, and the design of his life had been the work of this secondary social man, the lover.
Source: Gutenberg

Portrait of Willa Cather Willa Cather The Professor's House

During those months I didn't worry much about poor Roddy. I told myself the advertisements would surely get him—I knew his habit of reading newspapers. There are times when one's vitality is too high to be clouded, too elastic to stay down. Hurrying from my cabin in the morning to the spot in the Cliff City where I studied under a cedar, I used to be frightened at my own heartlessness. But the feel of the narrow moccasin-worn trail in the flat rock made my feet glad, like a good taste in the mouth, and I'd forget all about Blake without knowing it.
Source: Gutenberg

Portrait of Willa Cather Willa Cather The Professor's House

She could never forgive poor Tom Outland for the angle at which he sometimes held a cigar in his mouth, or for the fact that he never learned to eat salad with ease. At the dinner-table, if Tom, forgetting himself in talk, sometimes dropped back into railroad lunch-counter ways and pushed his plate away from him when he had finished a course, Lillian's face would become positively cruel in its contempt. Irregularities of that sort put her all on edge. But Louie could hurry audibly through his soup, or kiss her resoundingly on the cheek at a faculty reception, and she seemed to like it.
Source: Gutenberg

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