William J. Long

William J. Long

Summary

Portrait of William J. Long William J. Long How animals talk (1919)

More carefully than ever I stalked a bear, I circled through the black growth, crept under the fringe of larches, and entered the alder run unobserved. Inch by inch I wormed along the secret passageway, flat to the ground, not once raising my head, hardly daring to pull a full breath, till, just as I emerged from the alder shade into the grass, a gamy scent in my nose and a low gabble in my ears told me that I was almost near enough, that the birds were all around me, and that for the rest of the way I must move as a shadow.
Source: Gutenberg

Portrait of William J. Long William J. Long How animals talk (1919)

As if to confirm the message, the trail runs into a well-worn deer-path, which looks as if the animals that used it knew well where they were going. Clumps of delicate young larches spring up ahead; between them open filmy vistas, like windows draped in lace, and across one vista stretches a ribbon of silver. A few more steps and—there! my little pond is smiling at you, reflecting the blue deeps of heaven or the white of passing clouds from its setting of pale-green larch-trees and crimson mosses.
Source: Gutenberg

Portrait of William J. Long William J. Long How animals talk (1919)

A hundred lakes by which I have tented are greater or more splendid; but the first charm of any wilderness scene is its solitude, and on these greater lakes the impression of solitude may be broken by the flash of a paddle-blade in the sun, or the chuck of an ax under the twilight, or the gleam of a camp-fire through the darkness. But here on my pond you may know how Adam felt when he looked abroad: no raft has ever ruffled its surface; no ax-stroke or moan of smitten tree has ever disturbed its quiet; no camp-fire has ever gleamed on its waters.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature