Summary

William L. Stidger Giant Hours with Poet Preachers

THE SONG OF DEATH Like Brooke, a victim of the Hun, so Seeger, also a victim of the barbarian, seemed to feel the constant presence of Death, an unseen guest at the Feast of Youth and Joy and Fame and Love. Perhaps the war made these two imaginative poets think of Death sooner than Youth usually gives him heed. But most men will think of Death when they are face to face with the shadow day and night as were these soldier-crusading poets; when they see him stalking in every trench, in every wood, on every hill and road, and in every field and village.
Source: Gutenberg

William L. Stidger Giant Hours with Poet Preachers

Some of us have been thinking of this war in terms of Christian hope. We have thought that we see in it a new Calvary out of which shall come a new resurrection to the spiritual world. We have dreamed that men are being redeemed through the sacrifice, through the spirit of service and brotherhood thrust upon the world by war's supreme demands. We have thought all of this, but we have not been able to make it articulate. Now comes a poet to do it for us.
What magnificent hope sings out, even in the titles that Oxenham has selected for his books in these days of darkness, anguish and lostness.
Source: Gutenberg

William L. Stidger Giant Hours with Poet Preachers

Who has not seen factory windows in village, town, and city, and who has not known that "Factory windows are always broken"? How this smacks of pall, and smoke, and dirt, and grind, and hurt and little weak children, slaves of industry! Thank God, Vachel Lindsay, that the Christian Church has found an ally in you; and poet and preacher together—for they are both akin—pray God we may soon abolish forever child slavery. Yes, no wonder "Factory windows are always broken." The children break them because they hate a prison.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature