William Thomas Faulkner

Summary

William Thomas Faulkner The Sound and the Fury (1929)

He crossed the empty square and turned into a narrow street that was abruptly quieter even yet, and stopped before a frame house and went up the flower-bordered walk to the porch.
Beyond the screen door people were talking. As he lifted his hand to knock he heard steps, so he withheld his hand until a big man in black broadcloth trousers and a stiff-bosomed white shirt without collar opened the door. He had vigorous untidy iron-grey hair and his grey eyes were round and shiny like a little boy’s. He took Jason’s hand and drew him into the house, still shaking it.
Source: Gutenberg

William Thomas Faulkner The Sound and the Fury (1929)

The lights were on in the car, so while we ran between trees I couldnt see anything except my own face and a woman across the aisle with a hat sitting right on top of her head, with a broken feather in it, but when we ran out of the trees I could see the twilight again, that quality of light as if time really had stopped for a while, with the sun hanging just under the horizon, and then we passed the marquee where the old man had been eating out of the sack, and the road going on under the twilight, into twilight and the sense of water peaceful and swift beyond.
Source: Gutenberg

William Thomas Faulkner The Sound and the Fury (1929)

Niggers say a drowned man’s shadow was watching for him in the water all the time. It twinkled and glinted, like breathing, the float slow like breathing too, and debris half submerged, healing out to the sea and the caverns and the grottoes of the sea. The displacement of water is equal to the something of something. Reducto absurdum of all human experience, and two six-pound flat-irons weigh more than one tailor’s goose. What a sinful waste Dilsey would say. Benjy knew it when Damuddy died. He cried. He smell hit. He smell hit.
Source: Gutenberg

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