Wm. B. Harrison

Summary

Wm. B. Harrison The gunsmith's manual (1883)

It is not often that a real born shot is met with—they are about as scarce as true poets and true painters. When one does meet with him one soon knows him, if there is any shooting going on. Perhaps he is at his first shooting match. He does not know himself as a “shootist,” possibly. Curiosity alone, it may be, prompts him to try a shot, so he takes the gun, and wholly without study or previous experience, blazes away, and, to the astonishment of all present, shoots almost to perfection.
Source: Gutenberg

Wm. B. Harrison The gunsmith's manual (1883)

The fate of the percussion-lock is now as much sealed as was that of the flint-lock at the test-trial of 1834. It is going the way of all its predecessors, and its entire extinction is only a matter of time. The breech-loader, with charge and ignition combined in the same cartridge, is rapidly taking its place, and, until some new and wonderful discovery comes to the surface, must, undoubtedly, stand paramount as the gun of the future.
Source: Gutenberg

Wm. B. Harrison The gunsmith's manual (1883)

Some popular writer has said that, like the poet, the first-class shot with a gun, or the “dead shot,” as he is often called, must be born such—he cannot be made. Good shooting is a fine art, and in none of the fine arts can perfection be acquired where there does not exist a natural talent, or natural capacity, if the term be better. Any man with fair calculation and a reasonably good mechanical eye may, by practice, become a very passable shot, but without this peculiar natural requirement, which no one can clearly explain, it will be impossible for him to ever excel as an expert marksman.
Source: Gutenberg

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