Amberley

Definition and stakes

Portrait of Ellen Buckingham Mathews Ellen Buckingham Mathews,  Comin' Thro' the Rye (1898)

“ Amberley comes in—Amberley to whom it is given to labour heavily at the tillage of our brains, and whom we look upon as a sedate and amiable old cow, who never kicks up her heels or does anything unexpected, but gives down knowledge in any quantity or quality whenever we choose to apply for it. She is a queer creature, Amberley. ”
Source: Wikisource

Portrait of May Sinclair May Sinclair,  The Return of the Prodigal

“ The drawing-room at Amberley was filled with her, filled with white surfaces of neck and shoulders, with eyes somber yet aflood with light, eyes that were [Pg 106] perpetually at work upon you and perpetually at play, that only rested for a moment to accentuate their movement and their play. This effect of her was as of many women, approaching, withdrawing, and sliding again into view, till you were aware with a sort of shock that it was one woman, Philippa Tarrant, all the time, and that all the play and all the movement were concentrated on one man, Laurence Furnival. ”
Source: Gutenberg

Portrait of May Sinclair May Sinclair,  The Return of the Prodigal

“ He dodged it dexterously.
"That's where the immortality comes in, is it?"
"Of course," said Philippa.
V
She went on amusing Straker all evening, and after dinner she made him take her into the conservatory.
The conservatory at Amberley is built out fanwise from the big west drawing-room on to the southwest corner of the terrace; it is furnished as a convenient lounge, and you sit there drinking coffee, and smoking, and admiring Brocklebank's roses, which are the glory of Amberley. And all among Brocklebank's roses they came upon Furnival and Mrs. Viveash.
”
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature