Arabic literature

“ Even Arabian political articles are to-day written in rhymed prose. But as Chenery said, the history of rhymed prose is the history of Arabic literature. Rhyme is natural to the Arabic language, whereas it is really foreign to the English language.
If European civilization could free itself from the prejudices against Semitic and Asiatic culture, and if the universities, instead of studying minutely the barren medieval literature of Europe before the Renaissance, would give fuller courses in the poetry of the Arabs, Hebrews, Persians and Turks, the exchange would be salutary. ”

“ A revival, however, of Arabian learning is taking place in Egypt, Syria, and North Africa, but in accordance with European models, and chiefly under European auspices. All original research has long been extinct, even among those populations whose vernacular is the Arabic language; and consequently it is the former, and not the present state of Arab literature, which is the most interesting to the people of to-day. ”

“ He has surrendered his position as a leader in the world of the near East in order to bring the traditions and genius of the Arabic people to the attention of the Western world. And although commentators have long since acknowledged our debt in literature to the Arabs, who introduced rhyme into Europe over a thousand years ago, and historians have admitted the impetus which was given to the sciences by Arabic philosophers, yet it remains the task of a modern to introduce us in painting to the vast poetical conceptions which constitute a part of the heritage of the Arabian race mind. ”

“ The real question is whether a word for word version of the Arabian Nights, executed with peculiar literary vigor, exact scholarship, and rare insight into Oriental modes of thought and feeling, can under any shadow of presence be classed with 'the garbage of the brothels.' In the lack of lucidity, which is supposed to distinguish English folk, our middle-class censores morum strain at the gnat of a privately circulated translation of an Arabic classic, while they daily swallow the camel of higher education based upon minute study of Greek and Latin literature. ”

“ Such is the extent of Arabic literature, that, notwithstanding the labors of European scholars and the productions of native presses, in Boulak and Cairo, in India, and recently in England, where Hassam, an Arabian poet, has devoted himself to the production of standard works, the greater part of what has been preserved is still in manuscript and still more has perished. ”

“ CHAPTER V. ANECDOTES AND ANA. In Persian literature there are three celebrated works (Sa'di's 'Gulistan,' or Rose Garden, A.D. 1258; Jawini's 'Negaristan,' or Portrait Gallery, A.D. 1334; and Jami's 'Beharistan,' or Abode of Spring, A.D. 1487, all translated by the Kama Shastra Society) , containing an entertaining collection of stories, verses, and moral maxims. In Arabic literature there are many books of the same sort, and in this chapter it is proposed to give a few specimens of stories and philosophic reflections culled from various authors. ”

“ A long and tedious apprenticeship is usually required for the attainment to perfection in any of these accomplishments; but the versatile Arab seemed, by intuition, to be able to grasp them all, without previous experience or instruction. In literature, as well, was this pre-eminence of genius disclosed. Poetry was the sole form of literary manifestation appreciated by the Arabic mind; improvisation the only talent it deemed worthy of applause. Even among the most intelligent, nothing deserving of the name of history was preserved ”

“ Arabic is the spoken language not only of Arabia proper but forces the linguistic boundary of that peninsula 300 miles north of Bagdad to Diarbekr and Mardin, and is used all over Syria and Palestine and the whole of northern Africa. Even at Cape Colony there are daily readers of the language of Mohammed. As early as 1315 Arabic began to be taught at the universities of Europe through the missionary influence of Raymund Lull and to-day the language is more accurately known and its literature more critically investigated at Leiden than at Cairo and at Cambridge than in Damascus. ”

“ Had it not been for the Koran and its cognate literature, by this time the people of Syria, Egypt, Morocco and Oman would perhaps scarcely understand each other, and their written language would differ vastly; but the existence of this literature has kept the written language a unit and put a constant check on the vagaries of dialect.
The last, and chief element of beauty in the Arabic tongue249 is undoubtedly its wonderful literature. In poetry alone, the Arabians can challenge the world; in grammar, logic and rhetoric the number of their works is legion ”

“ The Arabic critics did not go to the Greek and Roman poems (which they considered cold besides their own) as did the Italians and English to study the nature of poetry. The Arabs studied Greek science, medicine, and philosophy, but not Greek poetry. Books on prosody and poetry appeared after the founding of the system of Arabic meters by Khalil b. Ahmad in the eighth century. There were also the two celebrated schools of grammarians at Basra and Kufa, soon to merge in the school of Bagdad. ”

“ To name even the most important of grammarians, anthologists, philologists, critics of Arabia, is to call a long list. Even historians, philosophers, scientists and theologians entered the field of poetic criticism. Every one quoted the poets, consequently poetry was bound up not only with criticism but with Arabic thought. One of the most quoted Arabic critics is Ibn Rashiq, of the eleventh century, whose Umda or Pillar of the Art of Poetry is mentioned often by Ibn Khaldun, the historian. ”

“ The Arabian poetry which has been most frequently translated and written about in English is Pre-islamic poetry. In especial, the Muallaqat, or the seven so-called suspended poems, has been translated several times. Sir William Jones made the first translation in prose in the eighteenth century. In modern times we have had several translations, one by Wilfrid Blunt and his wife. There has been considerable support for the critical view that these poems represent the highest achievement of Arabic poetry, both among Arabs themselves and Aryan critics. ”

“ It is true enough that not only in Egypt and Syria, but also in Turkey and Persia, Arabic books were written afterwards, but more under foreign protection, although in the two first-named countries Arabic is the language of the people, while in the last two it occupies nearly the same position that Latin does in European universities and in the Roman Catholic Church.
In the tenth century of the Hijrah (A.D. 1495-1592) the generally prevalent belief that the world would, at the completion of it, come to an end, contributed much to the gradual decay of science and literature. ”

“ Our present task, therefore, will confine itself to tracing through2 the Middle Ages the more strictly Arabian development. This includes first, the spread of literature and thought among the Arabs themselves, or among those people who completely adopted the Arabic faith and speech. Second, it includes the literature of the Moors, or semi-Arabic peoples, of North Africa and Spain. And third, it leads us to the Turks, the last Mohammedan conquerors, who took up and carried on Arabic tradition, though in a language and spirit more Tartar than Arabian. ”

“ The former, in degenerated dialects, is still spoken in Arabia, in parts of western Asia, and throughout northern Africa, and forms an important part of the Turkish, Persian, and other Oriental languages. The Arabic is characterized by its guttural sounds, by the richness and pliability of its vowels, by its dignity, volume of sound, and vigor of accentuation and pronunciation. Like all Semitic languages, it is written from right to left; the characters are of Syrian origin, and were introduced into Arabia before the time of Mohammed. ”

“ For instance, the profession of faith of the Mahometans in the [200] forty-fourth and forty-fifth illustrations, which is painted in miniature capitals, can be easily read. Its script is fundamentally Arabic and is ancient; not that which we ordinarily call ancient Arabic, of which there are several books from five to six hundred years old ”

“ The Arabic language is particularly rich in this kind of literature, and its proverbs are often appropriately introduced in conversation, letters, and books, and add much force to what is said or written. Many are light and colloquial, and bring a smile or laughter to both speaker and hearer ”

“ In the universities some of the professors of polite literature gave lectures on Arabic classical works; others taught rhetoric or composition, or mathematics, or astronomy. From these institutions many of the practices observed in our colleges were derived. They held Commencements, at which poems were read and orations delivered in presence of the public. They had also, in addition to these schools of general learning, professional ones, particularly for medicine. With a pride perhaps not altogether inexcusable, the Arabians boasted of their language as being the most perfect spoken by man. ”

“ The vivacity of Arabic poetry is one of its greatest charms. Its imagery is born of the fiery imagination of the East; its proficiency in the delineation of human passion is the fruit of centuries of study, reflection, and jealous rivalry. Perfect familiarity with the poems of the pre-Islamic Bedouins, regarded as models by every generation of their descendants, was considered an indispensable qualification of every well-informed scholar. The Arabs were so deeply impressed by the potent influence of poetical genius that they assigned it a place among the kabbala of magical science. ”

“ Of the Badi'a or euphuistic style, "Parleying euphuism," and of AI Saj'a, the prose rhyme, I shall speak in a future page.
The characteristics of the whole are naivete and simplicity, clearness and a singular concision. The gorgeousness is in the imagery not in the language; the words are weak while the sense, as in the classical Scandinavian books, is strong; and here the Arabic differs diametrically from the florid exuberance and turgid amplifications of the Persian story-teller, which sound so hollow and unreal by the side of a chaster model. ”

“ There are among them professed story-tellers, who delight the listeners with fanciful tales of enchantment, adventure, and love, or perhaps they repeat, in an animated manner, some fine specimens of Arabic poetry. Thus it is, that mankind, occupying the gloomiest parts of the earth, have amusements. As the steel is made to yield its spark, so the Arab finds pleasure in the desert. ”

“ In text "Ghayth al-Hátíl = incessant rain of small drops and widely dispread. In Arab. the names for clouds, rain and all such matters important to a pastoral race are well nigh innumerable. Poetry has seized upon the material terms and has converted them into a host of metaphors; for "the genius of the Arabic language, like that of the Hebrew, is to form new ideas by giving a metaphorical signification to material objects (e.g. 'Azud, lit. the upper arm; met. a helper) ." ”

“ For the Arab is an inveterate story-teller; and in nearly all the prose that he writes, this character of the "teller" shimmers clearly through the work of the "writer." He is an elegant narrator. Not only does he intersperse verses and lines more frequently than our own taste would license: by nature, he easily falls into the half-hearted poetry of rhymed prose, for which the rich assonances of his language predispose. His own learning was further cultivated by his early contact with Persian literature ”

“ In no other family of human speech would it be possible that the most antique and original of its dialects, the fullest in its forms, the most uncorrupted in its phonetic structure, the most faithful representative of the ideal type inherent in them all, should be the youngest of their number. But such is the character of the classical Arabic, whose earliest literary monuments are from fifteen to twenty centuries later than those of the Hebrew and Assyrian. ”

“ The Arab children in the mission schools now sing Christian hymns and many of the stories that you love to read, such as “Ben Hur” and “Black Beauty” and “Robinson Crusoe,” have been translated into Arabic. At the Beirut press alone about twenty-five million pages of Christian books are printed every year.
When the Bible takes the place of the Koran, the Arab speech with all its beauty and strength will become more than ever “the language of the angels.” ”

“ Even reduced to its own resources, this art of Arabic calligraphy is one of the most marvellous forms of decorative skill that has ever sprung from human imagination. It is perhaps the only science of ornament of which it may be said without exaggeration that it possesses a soul, for like the voice, it expresses thought. Owing nothing even to the most cultured parts of the outer world, its independence resembles that of music and seems like the stenography of the innermost beatings of the heart. ”

“ By the early twentieth century a new crop of writers, authors, poets, littèrateurs and scientific workers had been raised and was beginning to inch its way slowly to the front, receiving its stimulation from the living present rather than the dead past. Through their pens the Arabic language, rusty with age and given to the expression of traditional unprogressive thought, received a fresh polish and an injection of new life which started it on its way to becoming a vehicle capable of expressing the finest shades of scientific thought and the most delicate sentiments of the human heart. ”