Mary Roberts Rinehart,
The Breaking Point
“ A feeling of theatrical unreality was Bassett's chief emotion during the trying time that followed. The cloaked and shrouded figure of the woman ahead, the passage through two dark and empty rooms by pass key to an unguarded corridor in the rear, the descent of the fire-escape, where they stood flattened against the wall while a man, possibly one of the posse, rode in, tied his horse and stamped in high heeled boots into the building, and always just ahead the sure movement and silent tread of the woman, kept his nerves taut and increased his feeling of the unreal. ”
