Beatrice d'Este

Definition and stakes

Julia Cartwright,  Beatrice d'Este, Duchess of Milan…

“ And in Beatrice d'Este, Lodovico possessed a wife admirably adapted to share his aims and preside over his court. Both her birth and education fitted her for the position which she now occupied. Her youth and beauty lent a new lustre to the court, her quick intelligence and cultured tastes led her to appreciate the society of poets and scholars. The natural love of splendour, which she shared with the Moro, went hand-in-hand with artistic invention. Her rich clothes and jewels were distinguished by their refinement and rare workmanship. ”
Source: Gutenberg

Julia Cartwright,  Beatrice d'Este, Duchess of Milan…

“ Here, at least, there is no doubt that we have authentic portraits of both Lodovico Sforza and Beatrice d'Este, the reigning Duke and Duchess of Milan, towards the close of the year 1495. There is no mistaking the long black hair, the refined features, and long nose of the Moro, while in Beatrice's features we recognize the same youthful and child-like charm that mark her countenance in Cristoforo Romano's bust or Solari's effigy in the Certosa of Pavia. ”
Source: Gutenberg

Julia Cartwright,  Beatrice d'Este, Duchess of Milan…

“ George's Day, surrounded by scholars and courtiers, dwarfs and jesters, and fair ladies clad in glittering robes of cloth of silver and gold. All the pageant of court-life in old Ferrara, as it was in the days when Duke Ercole reigned and Isabella and Beatrice d'Este grew up under the good Duchess Leonora's care, passes again before our eyes, as we linger in these low halls of the little red-brick palace among the fruit trees of this deserted quarter. ”
Source: Gutenberg

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