Ella Noyes, The Story of Milan
“ It is not for nothing that the name of il Moro—the Moor—given to the dark-skinned boy in his childhood, has clung to him through history; it shows the conviction of his contemporaries and of posterity that it fitted not only his bodily appearance, but the complexion of his soul.By his actions he must be judged. In the Italy of the Quattrocento, to do evil that good might come was excellent morality. The best men practised it, and differed only from the worst in the ends they pursued. Lodovico’s usurpation of power had its immediate justification in the salvation of the State. ”
