Celimene

Definition and stakes

Portrait of George Meredith George Meredith,  Complete Short Works of George Meredith

“ Celimene is behind Millamant in vividness. An air of bewitching whimsicality hovers over the graces of this Comic heroine, like the lively conversational play of a beautiful mouth.
But in wit she is no rival of Celimene. What she utters adds to her personal witchery, and is not further memorable. She is a flashing portrait, and a type of the superior ladies who do not think, not of those who do. In representing a class, therefore, it is a lower class, in the proportion that one of Gainsborough’s full-length aristocratic women is below the permanent impressiveness of a fair Venetian head.
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Source: Gutenberg

Portrait of George Meredith George Meredith,  Complete Short Works of George Meredith

“ Millamant side by side with Celimene is an example of how far the realistic painting of a character can be carried to win our favour; and of where it falls short. Celimene is a woman’s mind in movement, armed with an ungovernable wit; with perspicacious clear eyes for the world, and a very distinct knowledge that she belongs to the world, and is most at home in it. ”
Source: Gutenberg

Portrait of August Wilhelm von Schlegel August Wilhelm von Schlegel,  Lectures on Dramatic Art and Literature

“ In a character like that of Alceste, love is not a fleeting sensual impulse, but a serious feeling arising from a want of a sincere mental union. His dislike of flattering falsehood and malicious scandal, which always characterise the conversation of Celimene, breaks forth so incessantly, that, we feel, the first moment he heard her open her lips ought to have driven him for ever from her society. ”
Source: Gutenberg

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