Cyropaedia

Definition and stakes

John Henry Freese and Edward Mewburn Walker,  1911 Encyclopædia Britannica (1911)

“ The Cyropaedia, a political and philosophical romance, which describes the boyhood and training of Cyrus, hardly answers to its name, being for the most part an account of the beginnings of the Persian empire and of the victorious career of Cyrus its founder. The Cyropaedia contains in fact the author's own ideas of training and education, as derived conjointly from the teachings of Socrates and his favourite Spartan institutions. It was said to have been written in opposition to the Republic of Plato. A distinct moral purpose, to which literal truth is sacrificed, runs through the work. ”
Source: Wikisource

Richard Hurd,  The works of Richard Hurd, volume 5…

“ The first Cyrus was confessedly a great man. The conquest of Asia is a sufficient testimony of his abilities; and the name of Father given him by the Persians after his death, must stand as the surest evidence of his virtues. But the hero of the Cyropædia is drawn as a perfect character; a monster as fabulous, and less interesting than those of Ariosto. His wise councils are never, in a single instance, seduced by passion, misled by error, or disappointed by accident. Xenophon labours to establish the empire of prudence ”
Source: Gutenberg

Portrait of George Grote George Grote,  Plato and the Other Companions of Sokrates…

“ It is this character Hellenised, Sokratised, idealised — that Xenophon paints into his glowing picture of Cyrus the founder of the Persian monarchy, or the Cyropædia. He thus escapes the insuperable difficulty arising from the position of a Grecian despot; who never could acquire willing or loving obedience, because his possession of power was felt by a majority of his subjects to be wrongful, violent, tainted. The Cyrus of the Cyropædia begins as son of Kambyses, king or chief of Persia, and grandson of Astyages, king of Media ”
Source: Gutenberg

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