Don Ippolito

“ Why”—
“He is not going to America. He will not leave Venice; he is to remain a priest,” said Florida, doggedly.
Mrs. Vervain sat down in the chair that stood beside the door. “Not going to America; not leave Venice; remain a priest? Florida, you astonish me! But I am not the least surprised, not the least in the world. I thought Don Ippolito would give out, all along. He is not what I should call fickle, exactly, but he is weak, or timid, rather. He is a good man, but he lacks courage, resolution. I always doubted if he would succeed in America; he is too much of a dreamer. ”

“ It was at this point that Don Ippolito, who had understood so clearly what Mrs. Vervain wanted, appeared a little slow to understand; and Ferris had a doubt whether it was from subtlety or from simplicity that the priest seemed not to comprehend the impulse on which he had acted. He finished his coffee in this perplexity, and when he rose to go, Don Ippolito followed him down to the street-door, and preserved him from a second encounter with the cistern-top.
“But, Don Ippolito—remember! I make no engagement for the ladies, whom you must see before anything is settled,” said Ferris. ”

“ There is nothing has really so strong a digestion as love, and this is very lucky, seeing what manifold experiences love has to swallow and assimilate; and when they got back to Venice, Ferris found that the customs of their joint life exorcised all the dark associations of the place. These simply formed a sombre background, against which their wedded happiness relieved itself. They talked much of the past, with free minds, unashamed and unafraid. If it is a little shocking, it is nevertheless true, and true to human nature, that they spoke of Don Ippolito as if he were a part of their love. ”

“ Montalto knows how you have lived and is not unjust nor ungrateful. But for his mother, I think a reconciliation would be possible.’
Maria started at the words, and turned even paler than before.
‘A reconciliation!’ she cried in a low and frightened voice.
‘Yes,’ answered Don Ippolito, who had resumed his seat. ‘He loves you still. It is my firm belief that he has never bestowed a thought on any other woman since he first wished to marry you. I know beyond all doubt that since he left you he has led a life such as few men of the world ever lead. ”

“ He stared hard at Don Ippolito while this perplexity filled his mind, for the hundredth time; then he said stiffly, “I don’t know. I don’t want to marry anybody. Besides,” he added, relaxing into a smile of helpless amusement, “it’s possible that Miss Vervain might not want to marry me.”
“As to that,” replied Don Ippolito, “you never can tell. All young girls desire to be married, I suppose,” he continued with a sigh. “She is very beautiful, is she not? It is seldom that we see such a blonde in Italy. Our blondes are dark; they have auburn hair and blue eyes, but their complexions are thick. ”

“ Don Ippolito resumed with a melancholy smile. “There are doubtless temptations enough to be false under the best of conditions in this world. But something—I do not know what or whom; perhaps no more my uncle or my mother than I, for they were only as the past had made them—caused me to begin by living a lie, do you not see?” ”

“ The canonico rose and placed his chair for Ferris beside the pillow, on which lay a brass crucifix, and then softly left the room, exchanging a glance of affectionate intelligence with the sick man.
“I might have waited a little while,” said Don Ippolito weakly, speaking in a hollow voice that was the shadow of his old deep tones, “but you will know how to forgive the impatience of a man not yet quite master of himself. ”

“ But I believe you’re always a little pale. You mustn’t work too hard. We shall miss you a great deal, Don Ippolito.”
“Thanks, madama.”
“Yes, we shall be quite lost without you. And I wanted to say this to you, Don Ippolito, that if ever you change your mind again, and conclude to come to America, you must write to me, and let me help you just as I had intended to do.”
The priest shivered, as if cold, and gave another look at Florida’s veiled face.
“You are too good,” he said.
“Yes, I really think I am,” replied Mrs. Vervain, playfully. ”

“ Vervain is rather peculiar,” said the painter, retiring a few paces from his picture, and quizzing it through his half-closed eyes. “She is a woman who has had affliction enough to turn a stronger head than hers could ever have been,” he added kindly. “But she has the best heart in the world. In fact,” he burst forth, “she is the most extraordinary combination of perfect fool and perfect lady I ever saw.”
“Excuse me; I don’t understand,” blankly faltered Don Ippolito.
“No; and I’m afraid I couldn’t explain to you,” answered Ferris. ”

“ I ask pardon from my heart if I have done anything amiss.”
“There is no offense,” said the painter, with a laugh, “and I don’t wonder you thought I ought to be in love with Miss Vervain. She is beautiful, and I believe she’s good. But if men had to marry because women were beautiful and good, there isn’t one of us could live single a day. Besides, I’m the victim of another passion,—I’m laboring under an unrequited affection for Art.”
“Then you do not love her?” asked Don Ippolito, eagerly. ”

“ But one does not so easily cast off a matter that does not concern one. He found himself haunted by certain tones and looks and attitudes of the young girl, wholly alien to the character he had just constructed for her. They were child-like, trusting, unconscious, far beyond anything he had yet known in women, and they appealed to him now with a maddening pathos. She was standing there before Don Ippolito’s picture as on that morning when she came to Ferris, looking anxiously at him, her innocent beauty, troubled with some hidden care, hallowing the place. ”

“ As Don Ippolito passed down the long narrow calle or footway leading from the Campo San Stefano to the Grand Canal in Venice, he peered anxiously about him: now turning for a backward look up the calle, where there was no living thing in sight but a cat on a garden gate; now running a quick eye along the palace walls that rose vast on either hand and notched the slender strip of blue sky visible overhead with the lines of their jutting balconies, chimneys, and cornices ”

“ You I A priest?”
“Priest! priest!” cried Don Ippolito, violently. “From this day I am no longer a priest! From this hour I am a man, and I can offer her the honorable love of a man, the truth of a most sacred marriage, and fidelity to death!”
Ferris made no answer. He began to look very coldly and haughtily at Don Ippolito, whose heat died away under his stare, and who at last met it with a glance of tremulous perplexity. His hand had dropped from Ferris’s arm, and he now moved some steps from him. “What is it, dear friend?” he besought him. “Is there something that offends you? ”

“ She idly resumed the great Venetian fan which hung from her waist by a chain. “Don Ippolito has been talking about the villeggiatura on the Brenta in the old days,” she explained.
“Oh, yes,” said the painter, “they used to have merry times in the villas then, and it was worth while being a priest, or at least an abbate di casa. I should think you would sigh for a return of those good old days, Don Ippolito. ”

“ Ferris went on, with a doubting look at her, for he had been shy of introducing Don Ippolito’s name since the day on the Brenta, and he did not know what effect a recurrence to him in this talk might have. “I’ve often wondered if our own clerical friend were not a little shaky in his faith. I don’t think nature meant him for a priest. He always strikes me as an extremely secular-minded person. I doubt if he’s ever put the question whether he is what he professes to be, squarely to himself—he’s such a mere dreamer.” ”

“ Are you going out through the campo? Pray wait a minute, and I will walk with you.”
Mr. Ferris went into another room, through the open door of which Don Ippolito saw the paraphernalia of a painter’s studio: an easel with a half-finished picture on it; a chair with a palette and brushes, and crushed and twisted tubes of colors; a lay figure in one corner; on the walls scraps of stamped leather, rags of tapestry, desultory sketches on paper.
Mr. Ferris came out again, brushing his hat.
“The Signor Console amuses himself with painting, I see,” said Don Ippolito courteously. ”

“ The stockings were indeed new and the hat was not the accustomed nicchio, but a new silk cylinder with a very worldly, curling brim. Don Ippolito’s coat, also, was of a more mundane cut than the talare; he wore a waistcoat and small-clothes, meeting the stockings at the knee with a sprightly buckle. His person showed no traces of the snuff with which it used to be so plentifully dusted; in fact, he no longer took snuff in the presence of the ladies. ”

“ She sat down again, that she might talk more at her ease, and seemed thoroughly happy to have Don Ippolito before her again.
“It finally appeared best, madama,” he said quietly, after a quick, keen glance at Florida, who did not lift her veil.
“Well, perhaps you’re partly right. But I can’t help thinking that you with your talent would have succeeded in America. Inventors do get on there, in the most surprising way. There’s the Screw Company of Providence. It’s such a simple thing; and now the shares are worth eight hundred. Are you well to-day, Don Ippolito?” ”

“ One afternoon, as Don Ippolito was posing to Ferris for his picture of A Venetian Priest, the painter asked, to make talk, “Have you hit upon that new explosive yet, which is to utilize your breech-loading cannon? Or are you engaged upon something altogether new?” ”

“ Soldiers and—clergymen—are so much more stylish in their own dress—not stylish, exactly, but taking; don’t you know?”
“There, Don Ippolito,” interposed Ferris, “you had better put on your talare and your nicchio again. Your abbate’s dress isn’t acceptable, you see.”
The painter spoke in Italian, but Don Ippolito answered—with certain blunders which it would be tedious to reproduce—in his patient, conscientious English, half sadly, half playfully, and glancing at Florida, before he turned to Mrs. Vervain, “You are as rigid as the rest of the world, madama. ”

“ Does he like it there in America?”
“Passably, passably. The Americans have no manners; but they are good devils. They are governed by the Irish. And the wine is dear. But he likes America; yes, he likes it. Nuova York is a fine city. But immense, you know! Eight times as large as Venice!”
“Is your friend prosperous there?”
“Ah heigh! That is the prettiest part of the story. He has made himself rich. He is employed by a large house to make designs for mantlepieces, and marble tables, and tombs; and he has—listen!—six hundred francs a month!”
“Oh per Bacco!” cried Don Ippolito. ”

“ Florida had watched Don Ippolito’s face while Ferris was speaking, and she now asked gravely, “But don’t you think their life nowadays is more becoming to the clergy?”
“Why, madamigella? What harm was there in those gayeties? I suppose the bad features of the old life are exaggerated to us.” ”

“ But you spend a great deal there. Still, it is magnificent, is it not? If it were not for that blessed war there, now, that would be the place for you, Don Ippolito. He tells me the Americans are actually mad for inventions. Your servant. Excuse the freedom, you know,” said the man, bowing and moving away.
“Nothing, dear, nothing,” answered the priest. He walked out of the station with a light step, and went to his own house, where he sought the room in which his inventions were stored. ”

“ A great load began slowly to lift itself from Ferris’s heart, which could ache now for this most unhappy priest. But if his conjecture were just, his duty would be different. He must not coldly acquiesce and let things take their course. He had introduced Don Ippolito to the Vervains; he was in some sort responsible for him; he must save them if possible from the painful consequences of the priest’s hallucination. ”

“ In speaking of him the day before, Ferris had hinted at some mysterious sadness in him; and to hint of sadness in a man always interests women in him, whether they are old or young: the old have suffered, the young forebode suffering. Their interest in Don Ippolito had not been diminished by what Ferris had told them of his visit to the priest’s house and of the things he had seen there ”

“ Vervain sometimes does and says things that embarrass her daughter, and that Miss Vervain seems to try to restrain her?”
“I thought,” returned Don Ippolito meditatively, “that the signorina was always very tenderly submissive to her mother.”
“Yes, so she is,” said the painter dryly, and looked in annoyance from the priest to the picture, and from the picture to the priest.
After a minute Don Ippolito said, “They must be very rich to live as they do.”
“I don’t know about that,” replied Ferris. “Americans spend and save in ways different from the Italians. ”

“ Vervain, it isn’t best to be too grateful to people,” said Ferris, “but I think we must allow that if we were in any danger, sticking there in the mud, Don Ippolito got us out of it by putting his shoulder to the oar.” ”

“ He hesitated with a look of perplexity, while Don Ippolito stood before him in an attitude of expectation, pressing the points of his fingers together, and looking curiously into his face. “The case is this,” resumed Ferris desperately. “There are two American ladies, friends of mine, sojourning in Venice, who expect to be here till midsummer. They are mother and daughter, and the young lady wants to read and speak Italian with somebody a few hours each day. ”